El Club, Party Store Productions + The Crofoot present:
John Carpenter : Live Retrospective
(Performing themes from his classic films and new compositions)
and a screening of:
ESCAPE FROM NEW YORK
††† TICKET INFO †††
$35-75
VIP package available with meet&greet / signed poster
••• ABOUT JOHN CARPENTER •••
2016 will host the first ever John Carpenter tour and in true Carpenter spirit, a sequel to Lost Themes: Lost Themes II. The follow-up brings quite a few noticeable changes to the process, which result in an even more cohesive record. Lost Themes’ cowriters Cody Carpenter (John’s son) and Daniel Davies (John’s godson) both returned. Cody was recently also heard as a composer for Showtime's Masters of Horror series (Cigarette Burns and Pro-Life), and NBC's Zoo. Davies was a composer for NBC’s Zoo, as well as the motion picture Condemned. All three brought in sketches and worked together in the same city, a luxury they weren’t afforded on the first Lost Themes. The result was a more focused effort, one that was completed on a compressed schedule — not unlike Carpenter’s classic, notoriously low-budget early films.
The musical world of Lost Themes II is also a wider one than that of its predecessor. More electric and acoustic guitar help flesh out the songs, still driven by Carpenter’s trademark minimal synth. This manifests itself brilliantly in songs like lead single “Distant Dream,” which hitches a familiar Carpenterian beat to an expressive drum performance and rides it to a thrilling conclusion. The eerie “Angel’s Asylum” lets an ethereal synth line command the first three-quarters of the song, before turning over the melody to an acoustic guitar, and “Virtual Survivor” delivers a blast of the sci-fi menace that characterized his great scores for films like Assault on Precinct 13 and They Live. Lost Themes II delivers eleven compelling new tracks for which fans can continue to score the movies in their minds.
Keep your eyes peeled for John and his co-writers to hit the road next year performing both lost and newly found themes, in addition to retrospective work from Mr. Carpenter’s multi-generatio