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2/2/11

FREE TICKETS for UPCOMING: Flogging Molly - March 3rd 2011 - Fillmore Detroit


FLOGGING MOLLY
March 3, 2011
The Fillmore
2115 Woodward Avenue
Detroit, MI
TIX HERE


There are a lot of reasons to love Flogging Molly. First of all, my love of Irish rock is well-documented, and there's little to set my tail to wagging more than sawing on a fiddle and wailing on an accordion. On top of that, this is a band committed to their party: This winter's tour is their 7th annual Green 17 Tour, which they take on every year to work up to St Patrick's Day.

Oh but there are even more reasons to love 'em.

Flogging Molly have a new album coming out this May, which was recorded right here in our fair city. They're giving us a free sneak peek at the first single from the record (haha, "record," I'm so quaint) which, they say, was inspired by Detroit herself. Check out "Don't Shut 'em Down" for just the price of your email address right here.

Come on, how sexy is that?


Mm-hmm, Detroit loves you, too.

And just so we can all have a great big love fest,
MCB is giving away a pair of free tickets
to the show to one emailer
and a couple sets of awesome
Flogging Molly shot glasses
to 2 runners-up.
for your chance to win

Beat the Blizzard of 2011 with LEMMY at Magic Bag followed by DUENDSDAYS at CLub Bart TONIGHT!!!!!

Looking for a way to beat the snow?
Stop by the Bag tonight as they screen the documentary LEMMY!
Doors 8pm – Film 9:30pm – 21+ - $8

LEMMY
http://www.lemmymovie.com/

The Magic Bag is proud to present the only Michigan screenings of Lemmy, the critically acclaimed film documentary of the legendary Motorhead frontman. Stop by the Bag and get a rare look at the man who embodies all that is rock and roll! You can get a quick view of the movie trailer

The Magic Bag will be giving away a pair of tickets to the “sold out” Motorhead show coming
up on Wednesday, February 23 at the Royal Oak Music Theater.


Magic Bag
22920 Woodward Ave.
Ferndale, MI 48220


After the documentary skip on down to Club Bart
for another Wednesday night of fun
from Duende! and friends

Metro Times announces Blowout 14 schedule



www.metrotimes.com/blowout

Check out some of the many sets of photos
from our continued coverage of the hamtramck blownout

http://www.flickr.com/photos/lawrencecreative/page39/



METRO TIMES ANNOUNCES BLOWOUT 14 SCHEDULE

Metro Times is pleased to announce this year's Blowout schedule featuring close to 200 metro Detroit bands at 14 Hamtramck venues over four nights in early March.

This year's Blowout will take place March 3-5 2011 with a pre-party at the Magic Stick and Garden Bowl on March 2.

This is the 14th year for Blowout making it one of the longest running
and largest events of its kind in the country.

Please note that this schedule is subject to minor changes.

Blowout Pre-Party

Wednesday, 3/2
Garden Bowl
8:30 PM-close: Haute to Death

Magic Stick Stage 1
1:15 AM: Secret Twins
11:45 PM: Lettercamp
10:00 PM: FAWN

Magic Stick Stage 2
12:30 AM: Moon Pool & Dead Band
11:30 PM: Julie Hecker Tribute
10:45 PM: The EEKS
9:15 PM: Darling Imperial


Thursday, 3/3
Atlas Bar
MIDNIGHT: Computer Perfection
11:00 PM: Divine Comedians
10:00 PM: Timothy Monger State Park
9: 00 PM: Cheat Sheet

Baker's Streetcar
12:20 AM: Blue Black Hours
11:20 PM: Sheefy McFly & The Delorean
10:20 PM: Brain Rottar
9:20 PM: Smackmadam

Belmont Bar
MIDNIGHT: Kommie Kilpatrick
11: 00: Cold Men Young
10:00 PM: Charlie Slick
9:00 PM: Beekeepers

Gates of Columbus Hall
12:20 AM: JSB Squad
11:20 PM: The High Strung
10:20 PM: Smash Television
9:20 PM: Hi Speed Dubbing

Gates of Columbus Lounge
11:40 PM: The Sights
10:40 PM: Italian Picture Factory
9:40 PM: Scarlet Oaks
8:40 PM: Tone & Niche

Jean's Bar
MID: Michael Seger & Everyone's Favorite Band
11:00 PM: The Black List
10:00 PM: Small Noises
9:00 PM: Space Band

Kelly's Bar
11:40 PM: Err…
10:40 PM: Telecollision
9:40 PM: Royale
8:40 PM: Over Macho Grande

Mars Bar
MIDNIGHT: Marco Polio & the New Vaccines
11:00 PM: Banxx
10:00 PM: Robin Goodfellow
9:00 PM: Betty Cooper

New Dodge
12:20 AM: Child Bite
11:20 PM: Zoos of Berlin
10:20 PM: Man At Arms
9:20 PM: Prussia

Painted Lady
11:40 PM: The Phantom Shakers
10:40 PM: Las Drogas
9:40 PM: Waxgordon
8:40 PM: Murder in the Dark

Paycheck's-VIC Showcase (Night of Demons)
1:20 AM: ENTRAILS
12:20 AM: DEAF BEASTS
11:20 PM: STAIRCASE
10:20 PM: LOBOTOMYS
9:20 PM: THE ARMED

Skipper's
12:20 AM: The Blue Squares
11:20 PM: Phresh Heir
10:20 PM: Indian Guides
9:20 PM: Mumble

Small's
MIDNIGHT: illymack
11:00 PM: Scandinavian Pleather
10:00 PM: Deadbeat Beat
9:00 PM: Carradine

Whiskey in the Jar
12:40 AM: Songs From the Moon
11:40 PM: Skeleton Birds
10: 40 PM: Patrick Davy & The Ghosts
9:40 PM: Patrick Elkins & The Rainbow Vomit
Family Band

Friday, 3/4

Atlas Bar
GINKGO RECORDS Showcase
12:40 AM: Swimsuit
11:40 PM: Man the Hunter
10:40 PMTurned to Crime
9:40 PM Damned Dogs

Baker's Streetcar Loco Gnosis Showcase
12:20 AM: Duende!
11:20 PM: Jehovah's Witness Protection Program
10:20 PM: Electric Lion Soundwave Experiment
9:20 PM: Eleanora

Belmont Bar
12:40 AM: The Sugarcoats
11:40 PM: Gardens
10:40 PM: Aran Ruth
9:40 PM: Kelly Jean Caldwell

Gates of Columbus Hall
1:00 AM: The Hard Lessons
MIDNIGHT: The Kickstand Band
11:00 PM: Mod Orange
10:00 PM: Matt Jones and the Reconstruction

Gates of Columbus Lounge
1 AM: Jeecy and the Jungle
MIDNIGHT: Odd Hours
11:00 PM: Magic Jake & the Power Crystals
10:00 PM: Team Ethic

Jean's Bar
12:40 AM: Bear Lake
11:40 PM: Smoke aka the Black Cal Ripken
10:40 PM: The Drags
9:40 PM: Bad Indians

Kelly's Bar
12:20 AM: Stoopz N Breeze
11:20 PM: Carjack
10: 20 PM: The Ultrasounds
9:20 PM: Sharky & the Habit

Mars Bar
12:40 AM: Blue Snaggletooth
11:40 PM: Bison Machine
10: 40 PM: Isoceles Mountain
9:40 PM: ThreeHives

New Dodge
12:20 AM: Doop & the Inside Outlaws
11:20 PM: Ryan Racine & Gas For Less
10:20 PM: The Afternoon Round
9:20 PM: The Actor Repents

Painted Lady
MIDNIGHT: Gorevette
11:00 PM: Glossies
10:00 PM: Vargas
9:00 PM: Eric Villa

Paycheck's-VIC Showcase (Night of Angels)
1:20 AM: Divorce Party
12:20 AM: Deastro
11:20 PM: Just Boyz
10:20 PM: Winter Ruby
9:20 PM: Phantasmagoria

Skipper's
12:20 AM: The Mythics
11:20 PM: Tare
10: 20 PM: The Fresh Tones
9:20 PM: The Meltdowns

Small's
12:40 AM: Chapstik
11:40 PM: Octopus
10:40 PM: Bars of Gold
9:40 PM: The Crooks

Whiskey in the Jar
1:00 AM: The Bell Beat
MIDNIGHT: I Love Lightning Bugs
11:00 PM: Patrick Herek
10:00 PM: Forget

Saturday, 3/5

Atlas Bar
1:00 AM: Butt Babies
MIDNIGHT: Derby Mama "
11:00 PM: The Wolfs
10:00 PM: Bright Echo

Baker's Streetcar Loco Gnosis Showcase
1:00 AM: Macrame Tiger
MIDNIGHT: Woodman
11:00 PM: Crappy Future
10:00 PM: Pewter Cub

Belmont Bar
12:40 AM: Big Mess
11:40 PM: The Handgrenades
10:40 PM: The Displays
9:40 PM: Atacama

Gates of Columbus Hall
1:00 AM: The Detroit Cobras
MIDNIGHT: The Parting Gifts
11:00 PM: The Jay-Vons
10:00 PM: Conspiracy of Owls

Gates of Columbus Lounge
12:20 AM: Electrc Fire Babies
11:20 PM: Old Empire
10:20 PM: Amy Gore & the Squires
9:20 PM: Bill Bondsmen

Jean's Bar
12:20 AM:The Ruggs
11:20 PM: Snake Oil Slick
10:20 PM: Vamonos
9:20 PM: Whigville

Kelly's Bar
12:20 AM: The Great Tribulation
11:20 PM: Legendary Creatures
10:20 PM: The Ashleys
9:20 PM: Golden

Mars Bar
12:40 AM: FUR
11:40 PM: Mean Mother
10:40 PM: Robin Parrent
9:40 PM: Galactic Vacationer

New Dodge
1:00 AM: Neon Escape
MIDNIGHT: JTX
11:00 PM: ODAYIN
10:00 PM: BLOCKHEAD

Painted Lady
Human Eye Showcase

Paycheck's
VIC Showcase (Night of Man)
1:20 AM: Lord Scrummage
12:20 AM: Bird Names
11:20 PM: Salt Lick
10:20 PM: Aphasiacs
9:20 PM: Bad User Experience

Skipper's
12:40 AM: The Rogue Satellites
11:40 PM: The Perrenials
10:40 PM: The Mantons
9:40 PM: The Grateful Dads

Small's
1:00 AM: The Satin Peaches
MIDNIGHT: Destroy This Place
11:00 PM: Wolfbait
10:00 PM: The Cold Wave

Whiskey in the Jar
12:40 AM: Gun Lake
11:40 PM: Amateur Anthropologist
10:40 PM: Jeremy Porter & The Tucos
9:40 PM: Roofbeam Rye

PHOTOS & REVIEW: Dark Star Orchestra – Majestic Theater

Grateful Dead cover band par excellence Dark Star Orchestra brought their hippy love to the Majestic Theatre last Wednesday night. MCB's Andrew Bender was there to take some photos, get down, and geek out with the other deadheads. Read on for Drew's review:

My assistant and I arrived at the Majestic complex early to get a bite to eat at the Majestic CafĂ©, but we were disappointed to find them closed for renovations. So, after a quick bite at Honest John’s down the street, we made our way back to wait out in the cold to get to the will-call window, while the Majestic’s security dude took his job as seriously as Roscoe P. Coletrain. After getting back inside and securing a nice spot at the stage toward the right, my assistant graciously went to the bar while I held our spot at the stage. We didn’t have to wait for very long before Rob Eaton, the rhythm guitarist and singer (or “Bobby,” if you will) came out on stage, followed shortly thereafter by the rest of the band including Lisa Mackey on vocals, Jeff Mattson on lead guitar and vocals in the “Jerry” role, Kevin Rosen on bass, Rob Barraco on piano, and Rob Koritz and Dino English on percussion. The crowd had largely filled in and ages ranged from high schoolers to seventy year-olds, and people had come to boogie. Okay, I’m just going to say and acknowledge this one time and then move on because it’s not largely germaine (or tito) to the real review of the show: Dark Star Orchestra is a Grateful Dead cover/tribute/reproduction band, and as such their fans enjoy the same fragrant, inhaled, combustible intoxicants as their forebears and brethren. And the place just stunk, but the unhindered cigarette (and I mean tobacco in that case) smoking didn’t help at all. And back to the show.

Read on below for more of Andrew’s take on the show.



The Grateful Dead are loved by their fans for their ever-changing set lists, which always differed from night to night, the progression of their music is reflected in their set lists over their 30 year long career. Dark Star Orchestra is best known as performing entire Grateful Dead shows, song-for-song. Unbeknownst to the audience at the time, the band was performing a show from February 5th, 1978 – an era recognized by many as among the Dead’s best years. For a full setlist, check out show 1897 by clicking here.

It’s hard to believe that it’s been 15 years since Jerry Garcia passed, and a Dark Star Orchestra show is truly the next best thing to being there. That said, it’s still a far cry from the scene ‘back in the day,’ but that’s not necessarily a bad thing. I was there with plenty of other long-standing Deadheads. Truly in many ways this setlist was a ‘best of,’ featuring Dead standards Bertha, Brown Eyed Women, Tennessee Jed, New Minglewood Blues, Friend of the Devil, Deal (and that was just the first set!). Bertha into Good Lovin’ was a barn-burner of a opening, a one-two punch that had the audience up and rockin from the beginning. From there, slower ballads pulled the audience’s emotion strings. As the band and crowd both sang, I didn’t have that queasy, “I’m stuck in cover band hell because the wasted chick next to me is screaming the song in my face,” feeling I’ve had at times in the past when seeing Grateful Dead music performed by anyone else. I can’t say that everyone was doing well - the older, white haired guy next to me was a little too loaded by this point and started leaning on those around him before taking a header into the floor (ouch), and was then helped up and kept dancing until his friends helped drag him to a safer (i.e. seated) spot. After Mackey sang Sunrise, one of the few Dead songs by Donna Jean Godchaux, they launched into a smokin’ New Minglewood Blues before cooling it back off with a very slow-tempo version of Friend of the Devil. They continued the up and down rollercoaster that the Dead had penned so many years before by launching into Passenger that just rocked the hell out the place. A smoking Deal closed out the first set.

Although it’s a bizarre sensation to be able to close your eyes and be transported through time and space to a show 30 years earlier, the band are still their own musicians. All DSO band members are longtime veterans of the music, and each brings his or her own style to each song. This was most apparent on the longer jams of the second set, as Scarlet Begonias transitioned into Fire on the Mountain, Mattson’s guitar playing sought space between notes as Eaton alternated between rhythmic hard strikes and his own contribution to the jam. I was happy to have one of my best friends there and in the second set we played that fan-favorite game, “Name that Song,” where we tried to name the song before or just as it was starting to be played. My friend won the first round as I stumbled over myself trying to name the first notes of Scarlet. My friend called out TRUCKIN’ barely one second before the band played the first note and I had to give it to him – it was almost psychic. As the last notes of the song were played, I thought I heard a telltale rhythm in Koritz drumming, and I called out ‘The Other One’ to my friend, but was disappointed when the drummers took over and the rest of the band took a break during Drums. But then – just when the rest of the band returned and they started playing The Other One, it was all grins, high fives, and backslapping. Yes, it’s kinda silly, but so are most games. The band played Wharf Rat in the post-drums Jerry ballad slot, and although it brought no tears to my eyes (yes, I’m a sappy hippy), it was still a solid performance. I do wish I had left before the U.S. Blues encore – never one of my favorites, and it always seemed like a waste of a good encore spot, but that’s just me. It’s hard to fault DSO for any of that, but that’s just what happens when you cover a show, with the good and the bad (or not so good). In all, the band continues to impress with their seemingly effortless recreation of the Grateful Dead’s shows. I can’t wait for the next time they come through Detroit.

2/1/11

FREE VINYL AND BLIZZARD: The Witches - A Haunted Persons Guide from Alive Records

With the media named "Blizzard of 2011" upon you there is nothing you can do but hope your hacked wireless connection stays true and your electricity stays on to keep your turntable up and fridge full of beer cold and hope that your fav record labels such as Alive Records and Motorcity Special keep on delivering dietroit music such as Troy Gregory and his esteemed pals on vinyl platters....email to enter to win a fresh off the pressing Witches record and a Motorcity Special#3 which just went to the hydro press today at 4pm
all email entries must have a mailing address and full name or delete
motorcityblog@earthlink.net


THE WITCHES A Haunted Person's Guide
out today on CD, Vinyl & Digital


Born in Detroit in 1996 from the mind of bass player Troy Gregory (Dirtbombs, Killing Joke) and with the help of fellow Michigan natives John Nash (Electric Six, LCD Soundsystem) on guitar, and producer Jim Diamond (White Stripes, Von Bondies) on electric twelve-string, The Witches went on to record five amazing albums between 1996 and 2006, with the help of a revolving line-up of Michigan musicians. A Haunted Person’s Guide To The Witches compiles material from the band’s five albums, and is a comprehensive introduction to the band’s unique sound.




UPCOMING SATURDAY: Umphrey’s McGee- the Fillmore

Progressive jam rockers Umphrey’s McGee make their debut performance at the Fillmore Theater on Saturday night. Known for amazing light shows, drawn out, guitar-filled jams, and a strong penchant for crazy experimentation, Umphrey’s has been playing to bigger and bigger venues. It seems that more and more folks just can’t get their fill – and they don’t have long to wait for this much-anticipated show from Chicago’s jam masters.

AND don’t miss the official after party at the Magic Stick, featuring Michigan’s own masters of musical madness, the Macpodz who will keep the party going with their unique blend of danceable funk, jazz, latin beats, and whatever else they feel like throwin’ down.

Umphrey’s McGee
wsg Orchard Lounge
Sat. February 5th
Doors 6:30pm
Tickets are $22.50 ($27 if you order through ticketbastard)

Check out this sick performance from just before New Years:


THIS SAT: Fraudeville Comedy Revue


 FRAUDEVILLE: A Comedy Revue
SATURDAY FEBRUARY 5

Eagle Theater
15 S. Saginaw, Pontiac, MI
doors at 8pm
tickets: $10 adv; $12 at the door

Fraudeville is the latest venture from JackKnife Productions. A dazzling collection of local and imported talent, bring you a nonstop romp of sideshow acts and classic vaudeville hilarity. Introducing the comedic adventures of the Lubberly brothers as they travel the globe discovering exotic burlesque in the jungle, straight jacket escapes from jail to contortion feats at the Chinese opera.

JackKnife productions is comprised of Jay Davis and Carine Jack Sergeant. The two write comedy for stage and screen and bring a unique mixed media production every time. Set designs conjure images of dreams that are keenly influenced by black and white films. The writing is 1930’s revisited with a hefty dose of urban decay where in all of this is brought to life by some of the most talented actors and acts that Detroit has to offer.

FREE VINYL: Breathe Owl Breathe coming to Crofoot 2/23/2011

MCB has a couple of special vinyls to giveaway from Breath Owl Breathe
email motorcityblog@earthlink.net to enter win
In a Lincoln Log cabin in deep rural Michigan live and work
Micah Middaugh, Trevor Hobbs, and Andréa Moreno-Beals.
This is Breathe Owl Breathe.

A pocket history:
Micah and Andréa met in a Dairy Queen parking lot.
Trevor and Micah's first day together was spent turning a party full of strangers into the set of an improvised VHS zombie movie.
Their cabin was built by Micah's grandparents last century.
His grandfather was a radical preacher who traveled by dogsled.
Andréa was born in Colombia.
Trevor studies Geomorphology.

Micah grew up in a Hexagon hut in the Jordan River Valley. He didn't speak till he was four.
The trio's new album, Magic Central, was released on Hometapes on September 28, 2010. More than just a record, Breathe Owl Breathe have created a timeless aural cartogram of feeling, soul, skill, and story. You could have found it in the attic. It could have dropped from outer space.
The best way to learn about Magic Central is to listen. The second best way is to read what the band has to say about it. This story is theirs.
Read the complete interview at www.home-tapes.com/breatheowlbreatheinterview

A lot of songs on Magic Central were born out of our experiences living at the cabin (our home). Many of the characters on the album were a reflection of what we were going through at the time. Micah had lived there by himself for quite some time, working on setting up his print making studio, and battling keep the place warm through the winter. Trevor and Andréa would come up to the cabin when they could (before and after shows and small tours), finding Micah mixing inks and sustaining himself on peanut butter and pickle sandwiches. Eventually, we were all there together, and the cabin became our refuge for making art and music together.

The place transformed from solely being Micah’s print studio into a place for recording, recreating (there’s a badminton net in the front yard), working on art projects, and living. The separation between the printing press, the kitchen, the light table, and the old piano was starting to blur...printed t-shirts by the drumset, mail under the toy piano, marimba next to the dart board, cello leaning against the light table... There was never a time when an instrument or an old book was too far out of reach. At one point, we used the field of fresh snow as a surface to project Last of the Mohicans, and watched from the upstairs window [Daniel Day Lewis and the triumphant music echoing in the valley...”No matter how long it takes, I will find you!”]. The cabin slowly morphed into Magic Central -- a place where there is no distinction between working, creating, songwriting, practicing, and playing.
So we started recording a lot at the cabin... on our 16 track, on cassette tapes, and VHS. Trevor would spend the late hours playing piano, and AndrĂ©a would be downstairs on cello. Micah was always recording us from another room while improvising lyrics over our music. Other times, Micah would go for a run and come back with a lyric or an idea for a combination of instruments, and they’d eventually turn into songs. In those initial months together, we came up with a ton of song ideas, constantly working with what we were surrounded by.

Late in the summer (2009), we started recording with Jim Roll in the studio. Many of the songs were still simple ideas when we started laying them down -- maybe just a lyric, or a banjo or piano line -- and our goal was to let the studio shape the song arrangements. We knew we wanted to do the instrumentation for the album all ourselves -- like doing our own stunts. We wanted the challenge of digging deep with the instruments we were familiar with [as well as the instruments we didn’t know well at all]. In the studio, we were constantly trying out different instrumentation [and recording approaches], trying to take advantage of the opportunity that the studio offers to collage songs together. The goal was to get as much recorded as possible, and spend the following months sculpting out an album.

In the early winter, Andréa left for Brazil. The songs that would make up Magic Central started to live a little. Up at the cabin, it became a time for epic cross country ski adventures, digging deep into the mixes, and coming up with song orders. With Andréa in a tropical climate, and us (Micah and Trevor) back in the depth of winter up north, broader themes in the album started to materialize -- distance and proximity, chill and tropic, opera and grumble...

AndrĂ©a came back from Brazil in the heart of winter (mid January). We (Micah, Trevor, and our friend Weston Currie) were finishing up filming the video for Own Stunts. AndrĂ©a brought back with her an equatorial vibe, a pander (Brazilian tambourine), some tropical gifts, and some new beats. There was a feeling of reintroduction between us all, like a member of our tribe had just returned from a spiritual journey. AndrĂ©a put on an Inuit parka (formerly belonging to Micah’s Grandpa), went out deep into the snowy surroundings, and finally the characters, the feeling of longing, and the epic journey of Own Stunts (both in the video and in song) started to make complete sense. We were also thinking about our final mixes at that time, and realized that there was another song out there that belonged on this album (Across The Loch). We went back to the studio, let the tape roll, and the song came together instantly between the three of us, bringing us all back into the same world...full circle...wrapping the album shut.
- Breathe Owl Breathe

BREATHE OWL BREATHE LINKS:
MySpace:
http://myspace.com/breatheowlbreathe
Band Website: http://www.breatheowlbreathe.com
Hometapes: http://www.home-tapes.com

Breathe Owl Breathe - Lake Light from Miscellany on Vimeo.

Breathe Owl Breathe Announce North American Tour With Yann Tiersen!

New MP3: Breathe Owl Breathe -- "Dogwalkers Of The New Age"
MP3: Breathe Owl Breathe -- "Own Stunts"

Beginning February 19th in New York City, Breathe Owl Breathe return to the road for another collection of North American dates in support of Magic Central, the band's spellbinding first album for Hometapes. Breathe Owl Breathe will be joining venerated French composer and musician Yann Tiersen on a coast-to-coast journey, transforming venues into campfire circles, conjuring smiles in the dark, and revealing, to whole new worlds of people, what happens when you start doing your "Own Stunts."

Released by Hometapes in late September, Magic Central is an explorer's handbook: from their cabin in rural East Jordan, Michigan, Micah Middaugh, Andréa Moreno-Beals, and Trevor Hobbs charted the taxonomy of their own folklore and set it to music. Hailed as one of "5 Artists You Should Have Known In 2010", these shows will give listeners yet another opportunity to experience what NPR describes as Breathe Owl Breathe's "impressive set of folky rock with a penchant for infectious melodies, bittersweet harmonies and warm instrumentation."

Breathe Owl Breathe Winter 2011 Tour Dates:
2/19/11 - New York, NY @ Highline Ballroom
2/21/11 - Montreal, QC @ Metropolis
2/22/11 - Toronto, ON @ Mod Club
2/23/11 - Detroit, MI @ The Crofoot Ballroom
2/24/11 - Cleveland, OH @ Beachland Ballroom
2/25/11 - Chicago, IL @ The Bottom Lounge
2/26/11 - Minneapolis, MN @ Cedar Cultural Center
2/27/11 - Winnipeg, MB @ WECC
3/01/11 - Edmonton, AB @ The Starlite Room
3/02/11 - Calgary, AB @ Republik
3/04/11 - Vancouver, BC @ Vogue Theater
3/05/11 - Seattle, WA @ Neumo's
3/06/11 - Portland, OR @ Wonder Ballroom
3/08/11 - San Francisco, CA @ Regency Ballroom
3/09/11 - Santa Cruz, CA @ Rio Theater
3/10/11 - San Diego, CA @ Belly Up Tavern
3/11/11 - Los Angeles, CA @ The Music Box

1/31/11

Wild At Heart

Wild Bill Ketelhut provides the "blog" to this anti-blog

Wild At Heart



It looks like they are predicting a big storm to come through the Detroit area starting Tuesday night. Make sure you are prepared because nothing is worse than being stuck in the snow and not being able to get out which is why I always carried a shovel in the back of my truck and extra mittens.

It was a sad week for music lovers starting with the passing away of Detroit native Gladys Horton at the age of 66. Gladys grew up in Inkster and in her teens started the Casinyets and later at the age of 16, the Marvelettes. She got the lead vocal job after Georgia Dobbin’s father forbade her to sing in nightclubs. The group went on to hit is big with songs like "Please Mr. Postman", "Beechwood 4-5789" and my favorite "Don't Mess With Bill". She left the group in 1967.



Today was with the death of five-time Oscar-winning composer John Barry, who wrote music for a dozen James Bond films and developed the twanging guitar riff in the suave spy's theme music. He wrote music for “Dr No”, "Goldfinger," "From Russia with Love," "Thunderball," "You Only Live Twice," "On Her Majesty's Secret Service," "Diamonds are Forever," "The Man with the Golden Gun," "Moonraker," "Octopussy," "A View to a Kill" and "The Living Daylights". Other films included “Dancing With Wolves”, "Robin and Marian," "Somewhere in Time," "The Cotton Club," "Peggy Sue Got Married" and "Howard the Duck". Despite his classic scores, Barry was also an innovator, being one of the first to employ synthesizers in a film score (On Her Majesty's Secret Service) and to make wide use of pop artists and songs (Midnight Cowboy).



Despite those passings, there are some good shows coming up this week:

Tuesday (2/01) – tapes n’ tapes @ Blind Pig

Wednesday (2/02) – Decemberists @ Royal Oak Music Theatre

Friday (2/04) – The Spinners and Stylistics @ Caesar’s Windsor, the Americana sounds of Hoots and Hellmouth @ the Ark

Saturday (2/05) – jam band Umphrey’s McGee @ Fillmore, Foxy Shazam @ Crofoot, Macpodz @ Magic Stick

I’m working on a few things right now for future blogs so have a good week and stay warm.

UPCOMING: OMD 11 March



Orchestral Manoeuvres in the Dark
Friday, March 11
Crofoot Ballroom
1 South Saginaw, Pontiac, MI

Ooh, I'm excited about this one! The sad/awesome truth is, I'd rush out right now to see ANYONE who was on the Pretty in Pink soundtrack (Duckie 4 Ever!) and this show will put me at 50% of the bands on the record (Dork 4 Ever!).


Do you think they could possibly be more sick of this song? Well... I'm not. I think they should open and close with this song. Actually, I could probably still sing all the tracks from "The Pacific Age," in order.

And hey! They've got a new album coming out! And they're offering us a free cut right here. Holy shit, McCluskey's voice hasn't changed at ALL. Damn, sounds good.


Orchestral Manoeuvres in the Dark Tour North America in March
in Support of their latest critically acclaimed album
"History Of Modern"

*****
'Cause for exaltation' - NPR

'Synth pop icons re-emerge with '80s allure intact… Andy McCluskey's ageless croon still conjures ghosts in the synth pop machinery, as vintage Mellotrons weep quasi-operatic tears.' – SPIN

'OMD has the dignity that made them huge first time' - News of the World

Orchestral Manoeuvres In The Dark, one of the UK's most iconic bands, are back with their first new album in 14 years. The appropriately entitled 'History Of Modern' via Bright Antenna Records through Warner Music Group's Independent Label Group, has already sold over 100,000 copies. And what a return!

Andy McCluskey has called it 'our best album since Architecture and Morality' – and few would disagree. The album was produced by OMD and mixed by one of the UK's most in demand producers Mike Crossey (Artic Monkeys/Blood Red Shoes/Razorlight).

Last autumn the classic OMD line up of Andy McCluskey, Paul Humphreys, Martin Cooper (keyboards) and Malcolm Holmes (drums) embarked on their sold-out 'History of Modern' European tour. The press raved. The Times praised their “well-crafted song structures, lush arrangements and energetic stage performance” while Q Magazine declared them 'soaring synth-pop of the highest order'.

The tour is now officially heading stateside this March with North American stops including Boston, NY, LA, SF, Toronto and playing select shows at this year's SXSW. It will be the group's first US outing with the original line up since their 1988 stadium tour with Depeche Mode. After three years of critically acclaimed sold- out concerts in the UK and Europe these dates will feature the band mixing their most celebrated and classic hits; 'Enola Gay', 'So In Love' 'If You Leave' and 'Souvenir' with new songs, creating a distinctly contemporary live show.

It's nearly thirty years since OMD first harnessed their creative and commercial powers, and 2010's comeback album 'History Of Modern' proves they still have a way with a warm melody and interesting lyric.  For all their love of experimental German music, the Wirral duo remains at heart, slaves to the pop song. History of Modern is a powerful, pulsating, vibrant testament to their shared pop sensibility. Tracks such as 'Pulse', 'Save Me', 'Sister Marie Says' and 'The Future' are huge dancefloor fillers while downtempo gems 'Bondage Of Fate', 'If You Want It' and 'Sometimes' are simply beautiful, classic OMD songs that invoke their pioneering and influential electronic roots. Many of today's electro artists such as LCD Soundsystem's James Murphy, Mark Ronson, The XX,  MGMT and The Killers have repeatedly cited OMD as a massive inspiration.

FREE VAGRANT CATALOG featuring James Vincent McMorrow

Our good friends over at Vagrant Records have a few new releases up their sleeves such as the new PJ Harvey, the Alexander album and the new Edward Sharpe album but we wanted to let you know about one of our new favorites:
Below is a link to check out a few of his singles
"This Old Dark Machine"
If I Had A Boat"
Have a listen and then email
for your chance to win a Vagrant Catalog Swag Pack
delivered right to your door
which will include all of these releases
in either vinyl or CD plus others TBD
good luck and thanks! Vagrant Records


STARS - The Five Ghosts
Pete Yorn - Self-titled
Murder By Death - Good Morning, Magpie
J Roddy Walston and The Business - Self-titled
Fistful of Mercy - As I Call You Down

The Hold Steady - Heaven Is Whenever



FREE TICKETS: The Moondoggies - Crofoot Pike Room - Feb 3rd

email motorcityblog@earthlink.net for your chance to win a pair of passes



February 3rd 2011
This THURSDAY do not miss THE MOONDOGGIES with QUIET LIFE
and more at the Pike Room inside the Crofoot Pontiac

Tonight: Phantasmagoria At The Magic Stick


Swing my The Magic Stick tonight to catch Phantasmagoria. The electronic duo is based out of the Ypsi/Ann Arbor area and don't make it to Detroit too often. What a nice way to hang out before the impending snow doom! Also, it's free!! Make sure to swing by Phantasmagoria's bandcamp page to check out their newly released album: Spirit

-jr

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-jr is a musician/dj/blogger/writer from Detroit, MI. He performs in the bands The Jesus Chainsaw Massacre and Sheefy Mcfly & The Delorean. He also writes a cultural blog covering the ins and outs of the Detroit Music Scence as well as pop culture. When Dj'ing he uses the handle DJ JCM. He has been an integral part of the Detroit Music mechanation for the past 10 years. He knows just about everything about music on both a local and national level. His opinon is gold and is infallible. This is what's been in my ear lately.

FREE TICKETS: THE RAVEONETTES return to Magic Stick Detroit on Sunday April 3rd 2011

Last time The Raveonettes came to town we met up with the danish duo in the stairwell for a quickie type interview...although time was limited and they were just arriving late to the Stick both Sharin and Sune were cool to chat with the ol MCB....click the pic to check out the vid and email us to enter to win a pair of tickets to this upcoming killer show
motorcityblog@earthlink.net

MCB vintage video interview with The Raveonettes
THE RAVEONETTES
WSG TAMARYN
SUNDAY, APRIL 3RD
DOORS AT 8PM
$15 COVER
ALL AGES

http://majesticdetroit.com/2011/01/31/the-raveonettes/

The Raveonettes are a Danish alternative rock duo, consisting of Sune Rose Wagner on guitar, instruments, and vocals, and Sharin Foo on bass, guitar and vocals. Their music is characterized by close two-part vocal harmonies inspired by The Everly Brothers coupled with hard-edged electric guitar overlaid with liberal doses of noise, very similar to The Jesus and Mary Chain. Their songs juxtapose the structural and chordal simplicity of '50s and '60s rock with intense electric instrumentation, driving beats, and often dark lyrical content (e.g., crime, drugs, murder, suicide, love, lust, and betrayal), similar to another of the band's influences, The Velvet Underground

1/30/11

Fusion Shows Third Birthday @ The Crofoot

Come out and support local musicians...

Monument Monument


Christopher Abalos, Steven Branstrom, Matt Tankersley, & Matt Galbraith
will bring their ambient ~ alternative rock sound to the stage!


Your Best Friend,


Steve:Guitar/Vocals, Dale: Bass/Vocals, Nick: Drums/ Vocals, John: Guitar/Keys/vocals



Squid the Whale


Hailing from the Metro Detroit area is a progressive pop-rock four-piece that brings originality, talent, and above all, fun into their music.
Formerly touring under the name "No, Really!", the band has caught the attention of a wide array of people through their self-released EP and previous tours


Robots in the Garden
Members: John Conner, Joshua Dillon, Joey Fava, Eric Gaither
The Vitamin Water "People's Choice Winners" at the 2010Detroit Music Awards are currently working on a new CD and will be playing some new music at the show!


Foxy Shazam


The Rebel Rousing band from Cincinnati, Ohio bring one the most rambunctious shows to a stage you'll ever witness. The band name originated from a slang phrase used by students at frontman Eric Sean Nally's high school where Foxy Shazam meant "cool shoes". On February 7, 2010, their single "Unstoppable" was featured in Super Bowl XLIV and the videogame NHL 11, and also on Cartoon Network's second live-action show: Tower Prep, as a theme song. If you haven't seen Foxy Shazam in a smaller venue.. you better do it fast because bigger stages are beckoning !
MCB's Dan Sultana will be hanging out at The Crofoot Snapping photos of the Birthday Bash ! Make sure you check out MOTORCITYBLOG after the show to see if you & your friends Mug Shots make the final cut!

1/28/11

Rodriguez - 3 show marathon ending at Park Bar Detroit - TOMORROW!!

 
Rodriguez will be doing three performances in one marathon night in Detroit Rock City.
 
Cass Cafe - No Cover
Solo performance
7:30pm
 
Donovan's Pub - No Cover
Solo performance
9pm
 
The Park Bar – $5 Cover
with Dave Shettler, Brad Hales and Matt Smith
11pm

Wild At Heart – Eilen Jewell interview

Wild Bill Ketelhut provides the "blog" to this anti-blog
He has a radio program on WXOU out of Oakland University

Wild At Heart



I was sitting at the corner of the bar at Abeline’s in downtown Rochester, a small bar built inside a house, which caters to the Americana scene. Think of it as what the Ark would look like if it was located in Hamtramck. Eilen and her band stopped in Rochester for two sold out shows which had her playing a wide variety of new and old music ranging from her songs “Rain Roll In” to “Final Hour” along with covers of Loretta Lynn (a whopping three songs) and Them along with their version of “Shakin’ All Over” by Johnny Kidd and the Pirates. She will bring her music to the Ark tomorrow night in a line up that includes the Swell Season, Mavis Staples (who she has played with before) and Judy Collins. She is very excited about playing the festival, noting that the Ann Arbor is a wonderful place to play music and very open to embracing artists. The only thing she is not looking forward to is keeping her set to 20 minutes which means she has to make sure to keep her storytelling to a minimum.



Eilen had always liked music and started playing piano at the tender age of 7. She grew up in Idaho and the family had moved to Alaska for a year for a failed job opportunity. On the ride back to Idaho with her parents and week old brother in the car, Eilen felt comforted by the playing of Beethoven that her father was playing in the cassette deck. She remembers being moved by the music and she “would play air piano with the dog in the backseat”. She would take lessons and become classically trained in both piano and violin.

When she turned 15, she got her first guitar. She started taking lessons but stopped and became essentially self-taught as she was concentrating more on singing and just using the guitar as a way to accompany herself. She soon found herself playing farmer’s markets and playing with her friends. Around 2002/3, Eilen, wondering what she wanted to do with her liberal arts degree (she didn’t study music but kept up her Piano), decided that music was “the only thing I really loved doing”.

While she admitted “She’s So Unusual” by Cyndi Lauper might have been her first album, given to her by a friend, she was more interested in early roots music, whether it be blues, gospel or bluegrass. She “thought I was discovering all this music but learned other bands did so first” (such as the Rolling Stones, etc). Going through her dad’s old 60’s and 70’s records, she found music by Howlin Wolf and Mississippi John Hurt. Mostly she was “curious about the names but it was love at first listen”. She also enjoyed the scratchiness of these old vinyl records pining that today, most music is over produced which caused it to lose some of that early vitality. We seem to agree that there is something special about those old recordings that newer digital releases can’t seem to capture.

Looking at her songs, I found two common threads in them, the first being “heartbreak”. While happily married now, she admits to having many failed relationships. When thinking of love, she admits to being “naĂŻve and romanticizing as well’ and while she doesn’t have a dark outlook on life, there is truth in sadness. Part of it might also come from growing up in Idaho where the culture expects keeping your emotions hidden. If someone asks you how you are doing, you just say “fine” since it is impolite to say sad things. Only your closest friend do you tell the truth to what is bugging you. When I heard those old blues song, like those by Billie Holiday, it “was like talking to a friend”. Trying to recapture some of that in her music makes her songs more meaningful. She admits that along with sad songs, she is also drawn to sad stories and paintings as well. Thinking back to being a kid, the classical music she was drawn to was always in a minor key, like Chopin’s “nocturnes”.

The second thread is traveling which reminded me almost of the hobo lifestyle. She admits that there still is a life of riding the rails in Idaho. While not a hobo herself, she admits “after college, I was driftless, living out of my car (by choice) and that suited me”. Her family didn’t travel much but she “always wanted to see the world” and when they family did travel; it was very poignant for her. Eilen stated that “in the 6th grade I was reading a book and came across the word “wanderlust” and that’s what I have”. When I travel, I love to stop at museums and other attractions, but it is different for Eilen. I “like to aimlessly walk when I reach a new town”. The idea is to walk out of the hotel and passively walk and look around without any real goal. She “like(s) to absorb where I am. It’s the going I like, very meditative”.



While starting off with a very folk sound, it has become something more. A blend of what reminds me of delta blues permeates the music along with a old southern country feel. With the band, she admits she lost some fans when she added a drummer. “Folk still has a fear a rock” and when we started playing in certain shows “people worried about the drums before they were even played”. Of course, Ann Arbor seems to be above that and accepts musicians as they are so it creates a wonderful atmosphere unlike anything I have ever experienced. I would say that her music does seem a bit more removed from traditional folk in sound and her newest album, coming out in June/July is supposed to be a blend of the sparse acoustic sound of her first album mixed with the more 60’s Brit rock feel of her third. They finished recording it so it is just a matter of time now. She admits “I locked myself in a Idaho cabin for 10 days in August to write 2 songs a day” which became the backbone of this recording and there is a big 60’s Brit invasion influence.

When not touring or writing she likes to cook and admits “I like to do one thing at a time”, so when on the road she stays focused on the performance and rarely writes.

Make sure to check out Eilen if you get the chance. If you can’t get a ticket for the Folk Festival, she is sure she will get back around sometime. Remember, despite being sold out, if you get to the venue when they open the box office, the usually release a few extra tickets for those first in line. You can keep track of her projects and touring schedule at www.eilenjewell.com and she just updated she will be in Austin for SXSW on March 17th.