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7/7/15

THIS WEEKEND: MC5 50 YEAR ANNIVERSARY CELEBRATION in Lincoln Park on July 11 & 12

                                                          *Poster by Carl Lundgren*
 
 
This summer rock music legends MC5 (The Motor City Five) will be honored with a 50-year retrospective exhibit and concert in their Detroit-area hometown of Lincoln Park, Michigan at the Lincoln Park Historical Museum. An open reception will be held July 11th with a concert July 12th. The exhibit will run through Labor Day, September 7th, with regular museum hours Wednesdays and Saturdays from 1:00 to 6:00 P.M. Admission to all events is free though donations to the Lincoln Park Historical Society are encouraged.

Emerging from metro Detroit’s fertile local garage rock scene of the 1960s, the MC5 launched themselves from the blue-collar town of Lincoln Park in 1965. Their career as a band ended in 1973. In between there were major label record deals, critical acclaim, world-wide tours and an ever-growing legacy and cultural relevancy that has outlived most of the band itself. Consisting of Rob Tyner (Derminer) (1944-1991) on lead vocals, Fred "Sonic" Smith (1949-1994) and Wayne Kramer (Kambes) (born 1948) on dueling lead guitars, Dennis "Machine Gun" Thompson (Tomich) (born 1948) on drums, and Michael Davis (1943-2012) on bass guitar, the group eventually recorded three studio albums and released several collector item 45 rpm vinyl record singles.

Their iconic, self-professed mantra and single, "Kick Out The Jams”, albums on both Atlantic and Elektra, and a devastating live show born in and around Lincoln Park and raised on the stage of Russ Gibb’s famed Grande Ballroom, where they regularly shared the bill with local legends Alice Cooper, Ted Nugent and the Amboy Dukes, Iggy and the Stooges, and other Detroit-bred bands, helped land The Five on tours and concert bills with international rock royalty including The Jimi Hendrix Experience, Big Brother and The Holding Company, Cream, The Yardbirds, and The Mothers of Invention. Moreover, high-profile gigs like their legendary performance in the face of, or perhaps in tandem with, a rioting mob at the 1968 Democratic National Convention in Chicago helped catapult the band’s high intensity image and aggressive political stance into the international consciousness. Subsequent European tours by The MC5 helped plant the seeds of high-energy rebellion that would manifest as the English punk scene of the mid 1970's. It is both their early roots and the lasting influence of The MC5 that will be honored and recognized this July 11th and 12th.

On Saturday, July 11th from 6:00 to 9:00 P.M. a public reception will be held for the opening of the Exhibit “50 Years of the MC5” at the Historical Museum, housed in the city’s Depression–era post office building. The exhibit highlights iconic photos of the group taken by Detroit photographer Leni Sinclair and Lincoln Park-raised Emil Bacilla; original psychedelic posters by Carl Lundgren, and Gary Grimshaw, another Lincoln Park-bred lad; band memorabilia, including personal artifacts from the Derminer/Tyner family; and rare band-related artifacts from local collectors.
 
On Sunday, July 12th from 2:00 to 6:00 P.M. a concert and picnic will be held at the Lincoln Park Band Shell in Memorial Park on Fort Street at London. The historic band shell, built in 1955, is one of the earliest sites where the MC5 played. Bands schedule to perform include Timmy’s Organism, Rocket 455 and Chatoyant.
 
Former band members Wayne Kramer and Dennis “Machine Gun” Thompson have been invited to attend, as have the families of those members who have passed on, Rob Tyner, Fred “Sonic” Smith and Michael Davis. While Kramer is unable to attend, Thompson will be in attendance at both the Saturday and Sunday events. During the afternoon concert, a “Key to the City” will be presented by Lincoln Park Mayor Tom Karnes to each band member or family in recognition of the homegrown musical brilliance the MC5 shared with the world. Food vendors will be on site at the park as well as picnic baskets encouraged.
 
The Lincoln Park Historical Museum is located at 1335 Southfield Rd, Lincoln Park, MI 48146
The Lincoln Park Band Shell in Memorial Park is located at 3240 Ferris Ave, Lincoln Park, MI 48146
  
Both days events are free to the public.
 
                                                         *Photo by : Leni Sinclair*

10/30/08

MC5 Events: Crofoot Thursday October 30th // Park Bar Saturday November 1st

“40 YEARS TO THE DAY” KICK OUT THE JAMS celebration in the Crofoot Ballroom

THURSDAY OCTOBER 30
Crofoot Complex - Pontiac MI

doors at 7 PM, show at 7 PM
tickets: $10 (buy tickets)

Detroit Music Revolution Concert “40 Years to the Day”, is a celebration of the 40th Anniversary of the MC5's "Kick out the Jams".

DARK GREENE ENTERTAINMENT has been working feverishly on a film documentary of the song, the band, Detroit's music revolution of the late 60's and their filming will culminate at the crofoot in this very special concert.

All on one stage in one night….. The Muggs, The Orbitsuns, Paper Street Saints, 60 Second Crush, Powertrane, Critical Bill, Lies Unknown, Overloaded, Ingray, Mazinga, Stellar Drive, Smoking Moses, Pillar of Autumn, Duende, Soul Circus, Ray Street Park, Lithium

The event is hosted by John Sinclair with Leni Sinclair, Reverend Righttime and Brett Callwood, author of "MC5 Sonically Speaking"

Don't miss this once-in-a-lifetime event!

Also THE NIGHT MOVE will be providing transportation from Royal Oak and Ferndale to The Crofoot. Click this sentence for more info!

recover all day Friday and then head to this:

WILDCATTING recreates MC5's "Kick Out The Jams"
Saturday November 1st 2008

The Park Bar w/ John Sinclair, Pinkeye & Duende!

Join us for this rad event. John Sinclair singing with Pinkeye, Duende’s CD release & we’re going to play MC5’s KICK OUT THE JAMS in it entirety!!! Holy shit!

Park Bar Detroit

2040 Park Ave

Detroit, MI 48226

(313) 962-2933

Get directions



Photos thanks to MCB's Paul Hitz
www.flickr.com/paulhitz


"MC5 IS DETROIT"
Check out more MCB-VIDEOs here


9/14/10

UPCOMING: MC5 Sonically Speaking - Book Release and Concert Friday October 1st - New Way Bar Ferndale

Me and a few of the MCB girls were hanging at Roma Cafe last night and ran into a few friends and after a great dinner and convo I was handed the soon to be released new book about the MC5 called Sonically Speaking - A Tale of Revolution and Rock 'n' Roll by Brett Callwood

There will be a book release party at The New Way Bar in Ferndale on Friday October 1st and you can preorder the book now at the link shown below
Friday October 1, 2010 12:00 AM
MC5: Sonically Spreaking Launch Party at New Way Bar
Brett Callwood, author of
MC5: Sonically Speaking, will celebrate the launch of his book at the New Way Bar in Ferndale (23130 Woodward Ave.). Callwood will be selling and signing copies of MC5: Sonically Speaking at this event, which promises to be a very special evening. Live music will be provided by local bands Luder, the Octopus, Man Incorporated and Marco Polio & the New Vaccines. Find out more about the author at www.myspace.com/brettcallwood

2/20/12

Wild At Heart

Wild Bill Ketelhut provides the "blog" to this anti-blog

Wild At Heart


We had some interesting weather here over the weekend which caused me to rework my plans. One item that got added to my itinerary was checking out the area roller derby team in a charity event double-headers as The B-Sides beat the Word from Worchester, MA and the Roc Stars lost a hard fought match to Tri-City Thunder from Kitchner, ON. The last match saw the Thunder get a 51-8 lead which the Stars managed to erode and took a 87-81 lead off a 29 point jam. However, the Thunder hung in and managed a 22 point jam to end the match. I miss hanging out with Miss Canada and Crash Baby back in Detroit and while there have been a lot of roster changes (and what seems to be a whole extra team), don’t forget to check out the local girls in Detroit. Make sure to check them out at http://www.detroitrollerderby.com/schedule.html as it seems they have a match coming up on March 3rd. If you happen to visit Rochester, you can check out their schedule at http://www.rocderby.com/.


Derby Girl on her back
Rochester roller derby
derby girls track eye view
On a more somber music note, I know a lot of people are talking about Whitney but I’d like to bring it back to Detroit with the passing of bassist Michael David. After dropping out of the fine arts program at Wayne State University, Davis became the bassist forDetroit's radical proto-punk band the MC5 in 1964, replacing original bassist Pat Burrows. After the band broke up in the 70’s, he did get back into art doing abstracts thanks to a stint in prison. In recent years, he had done a variety of design work for MC5 merch and skateboards, as well as having his painting ‘White Panther/Big World’ appear on the Cleopatra Records release “MC5: The Very Best of MC5”. I saw him with DKT-MC5 with a kick-ass show and here is a video of one of their Europe shows.



Going to end this week once again with a list of upcoming shows I would recommend:


Tuesday (2/21) - Polka Floyd @ Small’s

Wednesday (2/22) – Taddy Porter @ Pike Room, Wynton Marsalis w/Lincoln Center Orchestra @ Hill Auditorium (Ann Arbor)

Thursday (2/23) – Silverstein opens for August Burns Red @ St Andrews Hall

Friday (2/24) – Anvil @ Token Lounge, Jane’s Addiction @ Fillmore, Peter Frampton @ Caesar’s Windsor Casino


Enjoy and have a good week.

10/17/08

UPCOMING: Wildcatting to reproduce MC5's Kick Out The Jams - NOVEMBER 1st @ Park Bar Detroit



MC5 is Detroit. Just mention the band in a conversation and your going on about for the next 20 minutes on how they changed rock and roll and shaped the future of detroit music....

There are a few events coming up that will commemerate the 40th anniversary of MC5 and in particular the Kick Out The Jams album.

Out at The Crofoot Pontiac on Thursday October 30th there will be a massive party with over 17 detroit based bands of all genres hosted by John and Leni Sinclair - do not miss this show!

And then MCB favorite Wildcatting will be playing The Park Bar on Saturday November 1st 2008 where they will be re-creating the entire Kick Out The Jams records from start to finish with help from Duende! and Pinkeye of the Loco Gnosis tribe....

MCB is meeting up with Wildcatting this coming Wednesday at the studio to talk about the show and of course MC5 and Kick Out The Jams.

If you want to check the band this weekend - Wildcatting play a show at The Belmont in Hamtramck on Saturday night ...check them out here and this video from MCB






"MC5 IS DETROIT"
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11/2/08

PHOTOS: MC5 40th Anniversary Show @ Crofoot by Scott Strelecki




On the cusp of Halloween night was the 40th anniversary of the Detroit legendary rock group MC5.

In the stream of a new documentary currently being filmed to honor MC5, a "To the Day" blow out bash was held at the Crofoot Ball Room in Pontiac Michigan. Featuring 18 local groups consisting of new sounds in music from Detroit bands like "Lies Unknown" on through national spotlight acts like "The Muggs", each group paid honor to Detroit royalty by covering songs from such bands as Grand Funk Rail Road, Bob Seger and Alice Cooper to name a few.

As well as being hosted by poet and activist John Sinclair, former MC5 manager, on scene was Brett Callwood talking with people, selling and signing his book "Sonically Speaking - a tale of revolution and rock'n'roll" a book that targets the impact MC5 had both musically and socially in a time when revolution and radical politics reined.

A night fueled by rock and roll, social reminiscence and documentation of Detroit history...a night this photographer was honored to have a chance to witness.

Photos & Comments - Scott Strelecki
www.badlandphotography.com

"MCB IS DETROIT"
Check out more MCB-VIDEOs here

6/3/09

Static Network interviews The Dogs - Upcoming tour kicks off June 17th - Blind Pig Ann Arbor

The Dogs celebrate their 40th Anniversary
of Rock and Roll Musical Mayhem!
Interview with The Dogs Loren Molinare
by Sue Static

Blasting out of the legendary Motor City rock scene of the 1970s is Lansing, Michigan’s proto-punks The Dogs. Since 1969, this trio has been taking their Detroit-fueled rock and roll show on the road to L.A., New York, England and Japan. They have opened for everyone from KISS and AC/DC to the MC5 and The Ramones. Their 1978 single, “Slash Your Face,” was named one of the top ten punk rock songs of all time by Spin magazine.
This unstoppable rock and roll machine has been a tour de force for decades though they never received the wider recognition they deserve.
In 2007, FutureNow records released “Doggy Style” as a tribute to The Dogs with a two-disc compilation of 26 bands performing their tunes. They roared back on the scene in 2009 with a live DVD called “Purity Not Perfection” and have a new CD in the works and upcoming tours of Europe and Japan.
Revved up and ready to go now, The Dogs have four upcoming shows in the Michigan area this June. Before they head out the door, I caught up with founding Dog Loren Molinare for this trip down Memory Lane and to get his advice on how a band keeps rockin’ after so many years.

Congratulations on The Dogs 40th anniversary as a band this year! I’m sure you have lots of advice and experiences to share with us. To start, what attributes to the band’s longevity?
The fans are what drive this rock and roll machine decade after decade and also our insatiable appetite for playing loud Detroit style Rock and Roll.

After all these years do you find it harder or easier to write songs?
I think the song writing process evolves as you get older, I find it a little easier to write now, understanding song structure. In the beginning we were quite primitive in our approach, but there is a beauty in that. It’s funny all the things I wrote about 30 plus years ago are still going on with our society and in the world.

How about performing?
As far as performing and to be playing high-energy rock and roll after all these years we have to stay in shape, just less drinking and more high voltage rock and roll.

Do you have any advice for young bands on how to keep going thru the years?
Hold onto your dreams. I think now that the record business is less important than before, a band can control their own destiny and not have to have an A+R guy telling them to change their music. Watch out for the pitfalls of over indulgence.

The Dogs have relocated to many different rock n’ roll hotpots throughout your career, from Detroit (Lansing) to LA, NY and England. Where was your best experience and your worse?
I think one of the best hotspots was moving to NYC and playing with Kiss, The Dictators and Televison. And of course LA, being in on the proto-punk scene, pre-Masque days, playing with all the LA bands and more. The worst or the hardest is when we moved to London in 1978. We played some great shows, but things got really bad with the money and we ended up squatting in vacant houses in North London in the winter time. It made us home sick for the USA.

You are about to embark on another tour of Japan,
how was your previous touring experience there?
Well, we went to Tokyo in Dec. 2007 to support the FutureNow Records release of The Dogs tribute compilation CD, “Doggy Style,” and the four date tour was amazing! The Japanese are huge fans of the Detroit ‘70s rock era. All the bands love The Sonics Rendezvous Band, The Stooges, MC5 and of course The Dogs. Some of the wildest shows we have ever played! We are working on going back later in 2009 or early 2010 and hitting Australia and maybe China.

The band has shared the stage with acts such as KISS, MC5, The Ramones
, Van Halen etc. What were the most memorable shows?
I think one of the great shows was opening for the American debut of AC/DC in 1977 at the Whisky in Hollywood. I drank Jack Daniels with Bon Scott. Another was playing with Kiss in 1973 in NYC before they were signed.
And of course with The Ramones in LA. On this show, Van Halen were supposed to open the 3 band show, but they canceled because they did not want to open for us as we were playing right before The Ramones. Our first date in Hollywood in 1976 was with Van Halen and Quite Riot. The Dogs could always play with mainstream bands or punk bands, I guess it was our Motor City roots that made it rock.

What was your most memorable Detroit rock experience?
There are two amazing memorable times:
1. In 1969, Dick Wagner and The Frost took us as the opening act to The Birmingham Palladium. Being kids from Lansing, it was mind-blowing to experience the intense Motor City rock and roll vibe at that venue in the year 1969, as The Stooges said right?
2. The most memorable gig for me was when we opened for the MC5 at the New Grande Ballroom in Nov. 1972. It was my birthday and we got to loan them our gear and share the dressing room with them. This was one of their last gigs before they broke up, but that night they still rocked the house! Rob Tyner the singer was so cool, he was talking with us about the music business and gave us some guidance, I think he knew we idolized them. It was just a brilliant night that I will always treasure.

Who is your all-time favorite Detroit performer or band?
The MC5 was the band that took it over the top for The Dogs and myself. They were the pure essence of the power of what a rock and roll band could be and do. Connecting with their audience was like a Pentecostal revival. Their music reflected the hard-edged dirty factory town and the politics of the late ‘60s.

What’s next for The Dogs?
Well, we feel really lucky that there is a new generation of fans, and that we are still driven to push the envelope of rock and roll. Our manager is talking with a great indy punk label that’s interested in signing The Dogs for a “best of 40 year celebration” CD along with a CD of new Dogs songs. And of course gigs in NYC and looking to go tour in Europe and Asia.

Will the band still be rockin’ in another ten years?
Wow! in 10 years… Hell Yes!!
If it’s good enough for the Rolling Stones and old blues guys to be rocking in their sixties and seventies, God willing we will be rocking with the Marshall and playing punk rock till we die. Rock and Roll state of mind 4Ever!

Look for The Dogs on tour now:
June 17th The Blind Pig-Ann Arbor, Michigan
June 18th The Beachland Ballroom-Cleveland, Ohio
June 19th Mac's Bar-Lansing, Michigan
June 20th Bovine Sex Club-Toronto Canada (NXNE showcase)

Check out

8/20/12




Wild
Bill Ketelhut provides the "blog" to this anti-blog












Wild At Heart


  I went to a couple of great shows this past weekend seeing Salt N Pepa in Buffalo, Lita Ford rocking it hard with Poison and Def Leppard (she’s my girl since the Runaways days) and the Nitty Gritty Dirt Band at a local campground. There was some good music in Detroit this past weekend including the Marshall Crenshaw and Mark Farner show at the Ren Center.


  Since our schedules were not lining up for a phone interview, I sent some questions to both. I was hoping to get them posted prior to the show but I just got Marshall Crenshaw’s today and Farner apparently didn’t have time to work on them. Anyway, here are the questions that Crenshaw was cool enough to answer though I was hoping to get his opinion of local Detroit bands, esp since he has a DJ gig at this time, but here we go. I have always been a big fan of his song “Someday, Someway” which got frequent airplay on my radio show when I was on WXOU. Besides being a great musician and songwriter, he also portrayed a couple of icons such as John Lennon in the stage production "Beatlemania" and Buddy Holly in the movie “LaBamba".  On with the questions:


2) With all the musical history present in Detroit, how influential was it growing up in the shadows of Motown as well as the rock N roll of MC5, Iggy, Cooper, Segar, Nugent, etc?

It was huge; music was bigger than anything else in my world as a kid, and Detroit is a musical place. People sometimes have a narrow view of what Detroit music is; one thing that's great about it is the diversity.

3) What is it about Detroit that has produced so many talented musicians over the years?

Lemme think. A lot of people in the Detroit area come from Southern backgrounds, there's a lot of that influence in Detroit music. Really, there are too many reasons for a short answer. The Detroit area is just a place in particular that loves music.


4) When I was in Detroit for my 6 years, I heard a lot of stories about some of the great venues this town has produced. What has been your favorite show you have seen in Detroit and what is your favorite venue you have played here?

There are a lot of shows I could list but I guess my favorite of all time was Jimi Hendrix at Masonic Auditorium with The Thyme and The MC5 opening (and the Soft Machine too). It was a great Rock concert, but the MC5 stole the show. I was 14 yrs. old so it was a big deal to me.. I saw a lot of great shows at the Easton Theatre in the early '70s, but the local Rock scene had gone belly up around that time.. I was a couple years too young to be part of the Grande era, but I went to a lot of what they called "teen clubs" out in the suburbs, lots of great local '60s garage bands, saw The Rationals at the State Fair in 66/67. My favorite venue to play now in Detroit is the Riverfront; it's a beautiful setting, beautiful atmosphere.


7) I noticed you have a radio show called "The Bottomless Pit", which can be heard online, on 90.7WFUV.org. I caught a bit of the shows and liked what I heard. For those who are interested, how would you explain to your audience the types of music you play and inspired the naming on your show?


WFUV is a great station, a really good home for the show.. I just play stuff from my personal record collection, stuff that I feel some kind of connection with.. Recently I did a tribute to the early days of WABX, when they played everything from Magic Sam to Igor Stravinsky, and it worked.


10) I was enjoying you website http://www.marshallcrenshaw.com/home.php and checking out your links page. I noticed that beyond the musical sites you had a number of news styled sites in your recommended links. Beyond music, what types of issues and stories get your juices flowing?


Again, there are a lot of possible answers. I'll just mention the last book I read, which was, coincidentally, "Hard Stuff", Coleman Young's autobiography. I didn't really live through his tenure, but the book made me a fan of his.


  The weekend is almost here and I am getting excited about my weekend in Toronto. I have always loved going to Toronto and it is definitely my favorite city to visit. I just got my hotel room for the weekend set and despite being a bit farther away than I wanted (my original choice had their pool closed for maintenance) it is neat that they have a three story water slide. I will have some pictures this weekend from the Toronto Fan Expo and from my trip as a whole next Monday, however if you haven’t been paying attention, here are some highlights (at least for me).

  The Top 5 Reasons I want to go to the Toronto Fan Expo.

1) They always have great guests but they tend to get some of the best outside of San Diego. This year they have my heart throb Gillian Anderson from the X-Files, Back To The Future actor Chriostopher Lloyd and film director John (Halloween, The Thing, Assault On Precinct 13) Carpenter. Those are my big money names but they also have Marvel Comic’s Stan Lee, John Rhys-Davies (LOTR, Indiana Jones), the sexy Rose McGowan as well as cast members of Criminal Minds, Torchwood, Walking Dead, Flashpoint, Dexter, etc as well as the cast of the upcoming UPN show Arrow.


2) Jay And Silent Bob are recording a podcast live from the convention. I missed them at the Royal Oak when they performed and I have been a hugh Kevin Smith fan for years.


3) Being a big comic fan, I always like meeting the great artists and writers. Last year is was the legendary Joe Kubert. This year it is Neal Adams whose output in the 1970’s and 80’s was some of the finest working on runs of Deadman, Batman, X-Men, Avengers and Green Lantern/Green Arrow. He set the gold standard for realistic writing and bringing social issues into comics, not to mention the epic Kree-Skull War in the pages of the Avengers.

4) While Tim Burton’s movies are becoming a bit more lackluster (Dark Shadows anyone), he is still a master of movie design and thy have an art exhibit from the upcoming “Frankenweenie” which should be worth the trip by inself.

5) Just watching sexy girls dressed in skimpy and revealing costumes. Nuff Said!!

The convention also has the Back To The Future Time Machine, a bunch of movie premieres and tons of giveaways (as well as plenty of stuff to buy). It is one of my favorite events on my social calendar and I’ll be covering it this weekend.

http://www.fanexpocanada.com/

  I will also be checking out the new Gordon (X-Men & X2) Smith exhibit at the TIFF, the Ultimate Dinosaurs at the Royal Ontario Museum and Dead Can Dance at the Sony Theatre. All-in-all, it should be a great weekend and I hope to see some people from Detroit up there.

I am also trying to get more of my summer concert photos out and here was the Sierra Leone’s Refugee All-Stars. The band was formed by a group of displaced Sierra Leone refugees (hence the name) during the Sierra Leone Civil War. They tour to raise awareness of humanitarian causes and they really bring a true world music experience. On Saturday, Sept 8th you can drive down to Bowling Green, OH (you know it’s not that far) and see them perform at the Black Swamp Arts Festival. I went to BG back in the day and the festival is always lots of fun. I covered the festival three years in a row and it is just a nice time.

Sierra Leone's Refugee All-Stars @ Rochester Jazzfest Sierra Leone's Refugee All-Stars @ Rochester Jazzfest out there Sierra Leone's Refugee All-Stars @ Rochester Jazzfest guitar smile Sierra Leone's Refugee All-Stars @ Rochester Jazzfest drummer Sierra Leone's Refugee All-Stars @ Rochester Jazzfest bass Sierra Leone's Refugee All-Stars @ Rochester Jazzfest groove Sierra Leone's Refugee All-Stars @ Rochester Jazzfest pose Sierra Leone's Refugee All-Stars @ Rochester Jazzfest praise Sierra Leone's Refugee All-Stars @ Rochester Jazzfest style Sierra Leone's Refugee All-Stars @ Rochester Jazzfest peace Sierra Leone's Refugee All-Stars @ Rochester Jazzfest hear
Sierra Leone's Refugee All-Stars @ Rochester Jazzfest yeah Sierra Leone's Refugee All-Stars @ Rochester Jazzfest solo

  I was looking at this weeks schedule and not a lot was really standing out to me except a lot of good local bands. Next week sees the Detroit Jazzfest and Arts Beats and Eats so stay cool until then and check out these shows.

Wednesday (8/22) – David Sanborn & Brian Culbertson @ Chene Park

Thursday (8/23) – Lac La Belle opens for Orpheum Bell @ Magic Stick

Friday (8/24) – High Strung open for Will Sessions @ Magic Stick, Jessica Lea Mayfield @ Mickey Finns (Toledo)

Saturday (8/25) – John Lee Hooker Jr @ The Boathouse (Put In Bay), Citizen Smile & the Handgrenades @ PJ’s Lager House, St Thomas Boys Academy @ the Ritz (Warren)


Take care and look for some updates throughout the weekend and next Monday from Fan Expo 2012.

7/14/14

This Sunday - Grande Ballroom Event in Columbus OH, Louder Than Love!

While the rest of the country was grooving to the sounds of the "Summer of Love" in 1967, Detroit was the epicenter of a more gritty and raw sound that came to define rock music. On Sunday, July 20th, Shadowbox Live presents the film Louder Than Love – The Grande Ballroom Story, winner of "Best Documentary Award" by the prestigious Las Vegas International Film Festival.

Louder Than Love is the greatest untold story in Rock N' Roll history as revealed by the musicians, artists, and people that lived it.
Some of the all-time greats including The Who, Janice Joplin, Sly and the Family Stone, Led Zeppelin, The Kinks, Elton John, Bob Seger, Joe Cocker, CCR, Van Morrison, Jethro Tull, Ted Nugent, Jefferson Airplane, The Moody Blues, Deep Purple, Steve Miller, Jeff Beck, Mitch Ryder, Bo Diddley, Fleetwood Mac, Rod Stewart, BB King, Pink Floyd, Traffic, BST, Cream, The Grateful Dead and many, many, others graced the stage of the Grande Ballroom. The MC5, who many credit as the original punk rock band, was the house band at the Grande.

Shadowbox Live will create a true Grande Ballroom experience by interlacing the film with live music and the light shows made famous by the venue. Joining the stage with Shadowbox Live's house band BillWho? will be special guest, founder and lead guitarist of the MC5, Wayne Kramer. The Grande was equally well known for its psychedelic posters and handbills used to promote the shows. Original Grande Ballroom poster artist Carl Lundgren and Grande photographer Leni Sinclair will be in attendance. Laura Grimshaw, wife of the late poster artist Gary Grimshaw, will also be present at the event. Before and after the show, there will be a gallery and sale showcasing authentic art and photography from these artists in Shadowbox Live's Backstage Bistro. Louder Than Love producer and director, Tony D'Annunzio, will also be on hand to introduce the film. A portion of the proceeds from the show will go to Wayne Kramer's foundation, Jail Guitar Doors USA, an outreach that brings musical instruments and education programs to prisons across America.

If you check out our page at www.facebook.com/events/1495941753972296/ it has all the event information!

6/11/15

REVIEW: The 2015 Cinetopia International Film Festival DAY THREE- Danny Says

 
 
Day three of the 2015 Cinetopia International Film Festival found me at the Detroit Film Theatre for two screenings. Second film for the evening was Danny Says.
 
Danny Says is a documentary on the life and times of Danny Fields. Since 1966, Danny Fields has played a pivotal role in music culture of the late 20th century.
 
 
 
 
*SPOILER ALERT. I go into some detail in regards to scenes from the film. Proceed with caution.*
 
 
In his early years as a journeyman editor for the teen magazine Datebook in the mid-’60s, he caused waves by publishing John Lennon’s quote that the Beatles were bigger than Jesus. His early days also included hanging out with Andy Warhol’s Factory scene and becoming friends with Lou Reed, Nico, and others in the scene.
 
 
  
He talked his way into becoming the Doors’ press agent and a big move with them was recommending a shorter radio edit of the Doors' Light My Fire that turned it into a big hit for the band. His work with the Doors helped him score a job with Elektra as a A&R rep.

Danny Fields has a long history with Detroit. He traveled here and ended up getting the MC5 and Iggy and the Stooges signed to Electra. Iggy Pop is interviewed at length about Danny and those days and has lots to offer to the film. Danny tells a story about the day he knew he was done with the Stooges when their drummer Scott Asheton drove a truck, that was too high, under a overpass in Ann Arbor and ended up causing costly damage to both the truck and the overpass. David Bowie ended up flipping the bill for all the damage. Iggy has a nice laugh recounting the story after Danny does.   
 
 
 
 
In 1974, Danny discovered the Ramones at CBGB’s and asked to be their manager. They said he’d have to buy them a new drum kit first. So he borrowed the money from his mother and got them signed to Sire Records. 
 
 
 
Danny Says is largely crafted from over 250 hours of present-day interviews and items from Danny Fields’ immense archive  including thousands of photographs and audio cassettes. One particular audio cassette that Danny has features Lou Reed hearing the Ramones for the first time and raving about them.  
 
Many musicians are interviewed for the documentary including Judy Collins, Alice Cooper, Lenny Kaye, Wayne Kramer, and Tommy Ramone.
 
Visit the films website HERE.
 
 
Former MC5 manager John Sinclair is interviewed in the film and spoke after the screening of the film. John had many stories to tell about those glory days that were a little before my time. Being the music lover that I am, I soaked it all in like a sponge. I also had a chance to hang with John briefly after the screening to hear some more stories.  
 
 
 
 
The Cinetopia International Film Festival is running now till Sunday, June 14.

Visit cinetopiafestival.org for full film descriptions, trailers and dates/times/locations of all screenings and events.
 
 
 

 
 
 
 

3/30/13

John Sinclair at U-M Dearborn

The College of Arts, Sciences and Letters (CASL) at the University of Michigan – Dearborn (UM-D) proudly welcomes the legendary author, poet, activist and Michigan native John Sinclair to campus for a pair of events that are free and open to students and the community.
 
From noon-1:30 p.m. Thursday, April 4, 2013, Sinclair will perform live with His Blues Scholars in Kochoff Hall A, inside the UM-D University Center (UC); later, from 3-4:40 p.m., Sinclair will deliver a talk entitled “Kicking Out the Jams,” in Room 1030 of the CASL Building (CB).  The University of Michigan – Dearborn campus is located at 4901 Evergreen Road in Dearborn. View a campus map at http://www.umd.umich.edu/fileadmin/template/businessaffairs/files/Facilities_Planning/Revised_Campus_Map.pdf

Author, poet and activist John Sinclair (born October 2, 1941, in Flint, Michigan) mutated from small-town rock’n’roll fanatic and teenage disc jockey to cultural revolutionary, pioneer of marijuana activism, radical leader and political prisoner by the end of the 1960s.
In 1966-67 the jazz poet, downbeat correspondent, founder of the Detroit Artists Workshop and underground journalist joined the front ranks of the hippie revolution, managing the “avant-rock” band MC5 and organizing countless free concerts in parks, White Panther rallies and radical benefits. Working closely with lead singer and songwriter Rob Tyner and the members of the band, Sinclair brought the MC5 to local fame, national attention and a contract with Elektra Records.

11/26/12

Bars of Gold Show Review by UNI DESPAIR 11/23 at Small's in Hamtramck



Detroit-Style Old-School High-Energy Revival !

With the MC5 and other local groups, Detroit was the origin of High-Energy music, but other bands -- such as New York’s Blue Öyster Cult and Captain Beyond from Los Angeles -- soon picked up on it. (BÖC used to perform “Kick Out the Jams” by the 5.)  These bands typically featured superior musicianship and complex songs, but nothing good ever lasts, so eventually the guitar demons atrophied, and the style split into punk rock and metal. With the advent of the hair bands and clown bands of the ‘80s, hard rock had lost whatever significance it may have had for adult audiences.

What’s worse, the record industry began promoting younger-and-younger acts so as to appeal to teens, the demographic that buys the most product.  Continued listening to whatever was popular when you were eighteen became the norm.

Now, sophisticated rock by accomplished musicians has triumphantly returned. Baby-Boomers and Gen Xers can put away their cherished old albums in favor of something new that’s just as fierce.  If there’s any justice in the world, and if grown-up bands playing for grownups has a future, Ferndale’s Bars of Gold will be the Next! Big! Thing!

As with all the superior bands in history, BoG can best be appreciated live. (One live show by the Rolling Stones is worth all their albums.)  If you have an appetite for guys who can really get it on with a guitar, this is your band, but the frosting on the cake is Marc Paffi, one of the strongest frontmen in music today.

Best of all, the band excels at the long form. The problem with many pop acts performing live is that they play one of their three-minute songs well enough, but then, the energy level falls back to zero. BoG pumps the energy up, and, because their material features a lot of changes and development, they can keep the tune going at length without becoming repetitious in the manner of those West Coast jam bands.

Another mark of a quality group is versatility, and too many bands perform material that pretty much all sounds the same. Bars of Gold play hard-driving rock, but some of their songs feature a banjo, which lends a country flavor. At one point in their show, drummer Brandon Moss comes to the front to tell a poetic story, while the band improvises a subtle accompaniment -- that’s also a country-music tradition.

He might be the first to scoff at such a notion, but Marc Paffi is really a soul singer.  He is more James Brown than Bono, and he employs many old R&B devices such as frequently planting the microphone stand in the middle of the audience and exhorting the assembly, pacing back-and-forth like a preacher (the message being, It's time for sonic fornication!).

Bars of Gold have picked up the magic baton right where the MC5 and BÖC dropped it, and they are now the Kings of High Energy -- faster, louder, more sophisticated than any other band out there. Their Friday, November 24 performance at Small’s certainly got the crowd going. Opening acts — the aptly-named Meadower and Ypsi's Lightning Love (whose singer, Leah, could be the next Leslie Gore) — provided a pleasant and enjoyable pop prelude, but their music could happen anywhere sunny.  BoG is a genuine soot-covered Detroit band.

You need to see this band live. Until then, check out at http://www.facebook.com/BARSOFGOLD or http://myspace.com/barsofgold


-- The Insidious Uni Despair


5/3/13

HOT FUN IN THE SUMMER TIME: SOUNDS OF AFRICA, LATIN AMERICA, DETROIT DOMINATE CONCERT OF COLORS LINEUP


Two MC5 members reunite for 6th Don Was All-Star Revue

DETROIT (May 1, 2013) – Led by classic funksters The Family Stone, super producer Don Was’ 6th Detroit All-Star Revue and the intriguing combination of the Detroit Symphony Orchestra and Ozomatli, the 21st Concert of Colors lineup delivers Hot Fun in the Summertime June 29 and July 4-7, 2013. The 8:30 p.m. Sunday, July 7 Revue closes out the festival with a re-teaming of two members of the seminal Detroit band MC5 – guitarist Wayne Kramer and drummer Dennis “Machine Gun” Thompson – on the Main Stage at historic Orchestra Hall.

This year’s festival also delivers a healthy dose of new music from Africa, including performances by Fatoumata Diawara (Malian wassalou/international; 3:30 p.m. Saturday, July 6) and Samba Mapangala (Congolese/Kenyan; 7 p.m. Sunday, July 7). Latin-influenced sounds come from MAKU Sound System (Latin ska/funk; 8 p.m. Saturday, June 29), Matuto (Brazilian bluegrass; 2 p.m. Saturday, July 6) and the fascinating mash-up of Ozomatli w/ Detroit Symphony Orchestra (Latin-hip hop-rock/classical; 3 p.m. Sunday, July 7).

Presented for the second year running by the Ford Foundation at several leading cultural destinations in Midtown Detroit, the festival celebrates the city’s indigenous sounds and music reflecting the many cultures represented in southeast Michigan.

Announcements about additional venues and performers will be released at www.concertofcolors.com as information becomes available.


21ST CONCERT OF COLORS PRESENTED BY FORD FOUNDATION

All performances free and open to the public
All venues on or near Woodward Avenue in Midtown Detroit
News and updated information at www.concertofcolors.com


Saturday, June 29, 2013 (doors at 8 p.m.)

Tune Up Concert @ New Center Park
West Grand Boulevard at Second Avenue

MAKU Sound System (Latin ska/funk)
DJ sets by WDET This Island Earth host Ismael


Thursday, July 4, 2013 (doors at 6 p.m.)

Charles H. Wright Museum of African American History
315 E. Warren Ave.

Free museum admission

6:30 p.m. Stepping into Destiny
Mike Ellison and friends explore the transformative influence of jazz, spiritual, world, doo wop and hip hop.


Friday, July 5, 2013 (doors at 4 p.m.)

Detroit Institute of Arts
5200 Woodward Ave.

Free museum + exhibition admission

On the South Lawn
7 p.m. Feufollet (Cajun)
6 p.m. Detroit Party Marching Band
5 p.m. October Babies (rock)

In the DFT Auditorium
9:30 p.m. film TBA


Saturday, July 6, 2013 (doors at 2 p.m.)

Max M. Fisher Music Center
3711 Woodward Ave.

Main Stage, Orchestra Hall 
8:30 p.m. The Family Stone (funk/R&B)
6 p.m. Delta Rae (folk/rock)
3:30 p.m. Fatoumata Diawara (Malian wassalou/international)

Diversity Stage, Music Box
9 p.m. Kobo Town (calypso)
6:30 p.m. Canzoniere Grecanico Salentino (Italian traditional/eclectic)
4 p.m. Cathie Ryan (Celtic)
2 p.m. Matuto (Brazilian bluegrass)

Wolverine/Spartan Outdoor Stage

9 p.m. Terrence Parker (DJ)
8 p.m. 5th Wall Concept (rock)
7 p.m. L’Renee (R&B)
6 p.m. TBA
5 p.m. TBA
4 p.m. Leilani (R&B)
3 p.m. Kate Monaghan (blues)
2 p.m. Vision Male Ensemble (vocal music)
1 p.m. TBA


Saturday, July 6, 2013 (doors at 10 p.m.)

Museum of Contemporary Art Detroit (MOCAD)
4454 Woodward Ave.

Official After Party
Cambodian Space Project (cross-culture rock)

Free admission


Sunday, July 7, 2013 (doors at 2 p.m.)

Max M. Fisher Music Center
3711 Woodward Ave.

Main Stage, Orchestra Hall


8:30 p.m. 6th Don Was Detroit All-Star Revue (rock/eclectic)
Wayne Kramer + Dennis Thompson, Mosaic Youth Theatre Singers, Ty Stone, Howlin’ Diablos, Rev. Robert Jones, The Hounds Below, Katie Grace, Emmanuel Young & Howard Glazer, Drew Shultz & Detroit Legends, The Hand Grenades, Pat Lewis, Passalacqua , Jeecy & The Jungle

With your host, Don Was + The All-Star Review Band (lineup TBA)

6 p.m. Calypso Rose w/ Universal Xpression (reggae)
3 p.m. Ozomatli w/ Detroit Symphony Orchestra (Latin-hip hop-rock/classical)


Diversity Stage, Music Box


9:30 p.m. Yemen Blues (global jazz)
7 p.m. Samba Mapangala (Congolese/Kenyan)

4:30 p.m. Jeffery Broussard & The Creole Cowboys (Zydeco)
2:30 p.m. Candy Band (children’s rock)


Wolverine/Spartan Outdoor Stage

9 p.m. Motor City Soul (Motown/cover band)
8 p.m. Chris Canas Band (rock/blues)
7 p.m. Lola Valley (rock)
6 p.m. The Chiropractiers (blues/rock)
5 p.m. Sean Dobbins (jazz)
4 p.m. Ben Sharkey (lounge/jazz)
3 p.m. Wisaal (Arabic/ethnic)
2 p.m. Taylor Hawkins (house/techno)
1 p.m. Detroit School of Arts students (vocal music)

********

The Concert of Colors is a community-enhancing free-admission music festival with an expanding presence in Detroit’s bustling Midtown district. As of this year, it’s filling a long-vacant spot in the local music fest calendar by moving from its traditional mid-July slot to Independence Day weekend, Thursday-Sunday, July 4-7, 2013, with the 2nd Tune Up Concert set for the evening of Saturday, June 29, 2013.

The Concert of Colors has the whole world in its bands. Curated by its founder, Ismael Ahmed, the festival celebrates the diverse global origins of metro Detroiters, as well as the indigenous sounds of our musically magical hometown. All festival performances are free and open to the public, and take place at cultural institutions on or near Woodward Avenue in Midtown Detroit.

Presented for the second year running by Ford Foundation and produced by the Arab American National Museum with its partners Detroit Symphony Orchestra, Detroit Institute of Arts, Charles H. Wright Museum of African American History, Midtown Detroit, Inc. and ACCESS, Concert of Colors proudly welcomes a new partner/venue this year, Museum of Contemporary Art Detroit (MOCAD), 4454 Woodward Ave., Detroit.

The Concert of Colors is made possible by many generous, community-minded businesses and organizations, lead by presenting sponsor Ford Foundation and returning sponsors Comerica, Ford Motor Company, HAP and Bank of America, University of Michigan – Detroit Center, Michigan State University Community Music School and University of Michigan – Dearborn, among others.


21st Concert of Colors presented by Ford Foundation

8 p.m. Saturday, June 29, 2013, Tune Up Concert @ New Center Park
Thursday, July 4, 2013, @ Charles H. Wright Museum of African American History
Friday, July 5, 2013, @ Detroit Institute of Arts
Saturday, July 6, 2013, @ Max M. Fisher Music Center
9 p.m. Saturday, July 6, 2013, Official After Party @ MOCAD
Sunday, July 7, 2013, @ Max M. Fisher Music Center

All performances are free and open to the public; all venues are located on or near Woodward Avenue in Midtown Detroit. Find the latest news and information at www.concertofcolors.com

8/30/13

“We've been rolling around in the Stooges' remains like a dog at the beach who's found a dead fish.” - AN INTERVIEW WITH MUDHONEY’S STEVE TURNER BY MCB's JEFF HOWITT with live photos from Magic Stick Detroit



Live shots from Brian Rozman Photography
Magic Stick Detroit - 8/30/13


“We've been rolling around in the Stooges' remains like a dog at the beach
who's found a dead fish.”

AN INTERVIEW WITH MUDHONEY’S 
STEVE TURNER BY JEFF HOWITT

MCB: One of the earlier shows I saw you had Laughing Hyenas as one of the openers.
At the time I only knew of Negative Approach or John Brannon by name but it introduced me to Michigan Punk. Do you often search out particular bands when you tour?

Steve: We try to get some of our friends on the bill wherever we go, since ALL of our friends are in Kick-Ass bands.


MCB: Even though a single like “Touch Me, I’m Sick” is held as the Grunge era’s “New Rose”, do you think in context if that title didn’t get attached to that time period would you consider yourself ultimately more rooted in Garage Rock?

Steve: When we started we were pretty sure we were a Punk Rock band.
A Grungy Punk Rock band.



MCB: Early write ups on the band you guys would mention The Stooges and The MC5. Even tongue and cheekily referencing “the High Society” speech in Revolution. I feel for a certain kid growing up in the late 80’s/early 90’s music like yours made it all right in Michigan to finally
celebrate and embrace those bands stylistically and not just as homegrown cult heroes but influential in other music scenes. Do you see part of your musical journey in a Lenny Kaye/Thurston Moore record collecting/scholarly kind of way where you are exploring culturally as well as adding to it them?

Steve: Around 1990, we did a bunch of Punk/Hardcore covers and slowly released them as b-sides, split singles, etc. We were on a mission to remind people of all these great bands from that era, especially since the Grunge thing was starting to get so big and as you might recall, we thought
of ourselves as a Punk Rock band. The Stooges and MC5 are such an obvious influence on everyone, most definitely ourselves. We've been rolling around in the Stooges' remains like a dog at the beach who's found a dead fish.



MCB: Lo & Behold Records & Books owner Richie Wolfheil will kill me if I don’t ask this.
Have you ever heard of been to the Stooges Wax Museum?

Steve: I think Mark has...



MCB: What on a personal level have been the most important couple albums to the Band?

Steve: Our newest record is The Greatest Record since “Never Mind The Bollocks”.



MCB: I must say you’ve always had such great distinctive digs and tone.
What drew you to March to Fuzz so to speak?

Steve: Happenstance, and a love of The Mentally Ill 7" "Gacy's Place". My coworker at a Japanese restaurant gave me a Superfuzz box in 1983 because I told him I was having a hard time getting my Peavey guitar to sound distorted and cool. He asked what distortion box I was using and I
didn't know what he was talking about. I plugged it in and the clouds parted, angels sang, etc.



Catch Mudhoney tonight at Magic Stick Detroit 
and pick up a copy of the new record Vanishing Point on Sub Pop

GET TICKETS HERE
http://majesticdetroit.com/

Watch “I Like It Small” now
Mudhoney’s Vanishing Point, the band’s excellent 9th album, is out on CD, LP, and digitally worldwide via Sub Pop.  The 10-track album is led by the singles “The Only Son of the Widow from Nain” and “ I Like It Small”, along with highlights “What to Do with the Neutral,” and “Douchebags on Parade.”   

Mudhoney have also premiered a hilarious (& claustrophobic) new video for “ I Like It Small” with SPIN.com. The clip, directed by Carlos Lopez (Unnatural Helpers, The Intelligence), takes it cues from the song’s lyrical content (“Intimate settings”; “Dingy basements”) and sees the band in a practice space that becomes increasingly cramped, when suddenly all hell breaks loose. SPIN says of the clip, "What seems like an ordinary performance clip quickly evolves as various props and people are used to illustrate Arm's points along the way, with an especially gross shout-out to GG Allin followed by a handful of wardrobe changes, one bona fide pants-ing, and a very tiny piano solo”

25 years in, Vanishing Point decisively affirms that, even in an age where only the newest of the new can survive (and even then, only for a few weeks at best), Mudhoney still have plenty to say and more to offer. These are songs written from the rare vantage point of a band who went through the rock n’ roll
meat-grinder and not only lived to tell such a tale, they came out full of the wisdom and dark humor such a journey provides. Vanishing Point is filled with dread, psychoanalysis and Nuggets-on-fire riffs; the sort of real, uninhibited rock music that is harder and harder to locate these days.
With Vanishing Point, Mudhoney makes it easy.

Remaining Tour Dates

Aug. 31 - Chicago, IL - Mayne Stage
Sep. 01 - Montreal, QE - Il Motore
Sep. 02 - Toronto, ON - Lee’s Palace
Sep. 23 - Washington, DC - U Street Music Hall
Sep. 24 - Carrboro, NC - Cat’s Cradle
Sep. 25 - Charlotte, NC - Tremont Music Hall
Sep. 26 - Nashville, TN - Third Man Records
Sep. 27 - Memphis, TN - Goner Festival
Sep. 28 - Dallas, TX - Club Dada
Sep. 29 - Austin, TX - Mowhawk
Sep. 30 - Houston, TX - Fitzgerald’s Upstairs
Oct. 01 - New Orleans, LA - One Eyed Jacks
Oct. 02 - Atlanta, GA - The Earl