by Brit Chic in Detroit
Last week, April 24th-26th, saw the second
annual event to promote Culture Lab Detroit.
The idea was conceived by Jan Schulak who has partnered with Detroit Creative
Corridor Center
and the College for Creative Studies to facilitate a place where renowned
artists and entrepreneurs can come together to make connections, have
conversations and collaborate with each other in order to make the world aware
of Detroit ’s
potential to be a leading hub for creativity.
During the series of
events last week, a panel discussion entitled “Art Interventions” was held at
the Alfred Tubman Center for
Design Education at the College
for Creative Studies on Thursday evening.
The moderator David Stark
a New York premier event designer lead the other panelists in discussion; Theaster Gates,
Chicago- based artist and innovator in the field of social practice, and space
development, David Adjaye, London and New York
based international architect, known for his sculptural ability and artists
sensibility and Humberto and Fernando Campana,
Brazil-based designers, who work primarily in furniture, interior design,
architecture, and landscaping.
I had the opportunity to ask David Stark some questions
beforehand.
How
did you get involved with Culture Lab Detroit?
“I first met Jane Schulak, Culture Lab’s
founder when collaborating with her on a private event. Through that
experience, I fell in love with Detroit , its
percolating creative community, the incredible history of the city, and the
community that is redefining what Detroit
stands for NOW and in the future. When Jane asked me to be part of the
panel discussion last year, of course, I was thrilled. I am honored to be asked
back to now moderate this year’s talk with David Adjaye, the Campana brothers,
and Theaster Gates, all artists and creative thinkers that I greatly admire”.
Do
you think it is possible to restore Detroit
and revive it as a city of creative innovators?
“Of course! It’s happening as we
speak! Creativity comes out of necessity. Thus, while there are
truly grave challenges to be overcome, and I don’t want to minimize them, there
are so many awesome people, artists, and companies that are seizing the day of
opportunity. Look at a company like Shinola. They are a prime
example of a group that are moving the needle from Detroit ,
making Detroit
sexy”.
So with David and his
strong support for Detroit
at the helm, his questions to the panel began.
The group was very focused on how design and architecture can benefit a
recovering city like Detroit . Their main points focused on listening to the
community and looking at their relationship to the environment, recycling and
restoring and the Campana brothers’ example of their work in San Paulo Brazil , where
social responsibility can resurrect old traditions and give stimulation and
self esteem back to the people.
This all makes good sense
and why shouldn't art have a positive effect on rebuilding a city? As we have seen recently with the fires at
the Heidelberg
project, not everyone shares this view.
This was highlighted when a
fantastic question came from the floor from a teacher in Detroit .
She explained that her students walk home every day among the burnt
out abandoned buildings and that it is their psyche that needs restoring
before any art and architecture could improve their lives.
The designers all agreed
that this was a really big problem and did not know if they could take this on
the way it stands right now. “Design can give us the tools to deal with stuff
but cannot deal with spiritual problems”.
They felt that what is needed is to figure out what other disciplines
(perhaps positive psychology?) could sit alongside architecture and design and suggested
that it could be taught in schools and collages.
So it seems that there is
a lot more to it than just listening and rebuilding the city with creative
design. However, it was clear that the high level of talent on the panel and
their presence in Detroit
engaging in these types of conversations was important for the outside world to
see.
Can Art and Collaboration
help rebuild a city? I am not sure the
answer is that simple. Maybe a first
step will be to restore balance and alleviate the inequalities that are still
so prevalent in Detroit .
This will be a huge
undertaking and needs everyone to be on board, whether they are an artist or
not. If everyone comes together for the
common goal of rebuilding the city and each individual does his or her part, I
think it could be possible. By starting
to work and heal together the community can start to restore its faith in the
possibility of rebirth.