The laws of human anatomy dictate that if you squirt a stream of scalding hot water up your left nostril, two things will happen. The first thing that will happen is that you will cause permanent damage to your sinus tissue and your first line of defense against infection will be rendered useless for the rest of your life. But secondly, and most important for our purposes in this piece of propaganda, the water will exit your from your right nostril. In order for water to enter and exit your head, it takes two nostrils!!!
Like the apple falling from the mountain and hitting Isaac Newton in the face, this was a real-life, real-time event that happened to one of today’s leading rock stars – Electric Six’s Tyler Spencer. Upon cycling boiling water through his sinuses for kicks, he realized it was a metaphor for his approach to creating music.
“The water,” thought Spencer “is God’s love. And it goes in me and destroys my sinus walls and immune system and comes dangerously close to my brain. In order for God’s love to come out of me and become music, I need a second nostril. And that second nostril should be my friend William Bates from the band Fall On Your Sword. He has a studio in New York City. I live in New York City. We can do this quite easily.”
And so the two nostrils, Bates and Spencer, collaborated in the summer of 2008 in Bates’ Tribeca studio. Not because of sinus problems. Not because of God. Not because of anything we’ve established heretofore. No, they collaborated because they had something to say.
And so it was that Evil Cowards came to be.
Tyler Spencer is an American.
William Bates in an Englishman. The album closer “Chopping Up the Teacher” is sung by Bates in his native tongue – English. When you are English, anything is possible. You have abandoned the Church and your toes are still tapping. But you still need to confess. Best to do it while you are pissed and hanging out with your mates at the Hawley Arms.
To summarize, Evil Cowards are releasing their debut album entitled Covered in Gas on May 19, 2009 on Metropolis Records. Every song on the album is catchy while bathing in the majesty William Bates’ unique production.
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