Promote your event / Contact MCB

YOU HAVE REACHED MOTORCITYBLOG.
email us anytime motorcityblog@gmail.com



10/24/11

Wild At Heart and Murs Interview

Wild Bill Ketelhut provides the "blog" to this anti-blog






Wild At Heart


My friends know that I am not a huge rap fan though I have enjoyed a number of artists live such as Common, B.o.B., and Jay-Z. Despite my semi-love for the musical form, I recently enjoyed a conversation with the artist known as Murs who will be playing tomorrow night at the Magic Stick.




I caught Murs as he was getting ready for a show in Pittsburgh and was mildly surprised when our conversation started talking about one of my passions, comic books. He remembered his first book being Booster Gold #1 and currently is getting into the mainstream titles of Marvel and DC, esp the new 52 storylines.



He admits when he goes into comic shops, the owners frequently think he will be a indie or zombie reader but with few exceptions he is a hardcore fanboy for the big 2. He mentions artists like Brian Wood, Bendis, Peter David and Millar who are all excellent storytellers in the form. He admits to following artists more than characters. His favorite character is the Black Panther and he says he enjoys the character but not the current writer but he is my guy and I’ll read them waiting for the next writer to take over because “I hate to have gaps in my collection”.




The appeal of the super-hero books for him relates to the overall morality of the characters. Growing up in a “tumultuous household”, it is a comfort to see a hero with his clear cut good vs evil. With the advent of of anti-heroes, some of the better ones have great stories, like “Kick-Ass” but comic book heroes, like Spider-man, still fight the good fight and “you don’t get a lot of that anymore”.



He also mentions a love of sci-fi, Japanation and even the indie book “Love & Rockets” by the Hernandez Brothers which he finds has “great art and is very subliminal” and is the title of his new album.




“Love & Rockets Vol 1: The Transformation” came out this month and is his 7th album. Of course, he has been around since 1993 and has worked on many projects like the wonderful Felt as well as with 3 Melancholy Gypsies and the Living Legends. He has kept himself very busy.


When asked what the biggest change in the evolution of his music since starting, he proudly mentions that he is always trying to learn from other artists which includes working with producers and trying to let them take creative control and trusting them to do what sounds good and is right for him. He admits “I am always trying to refine my craft and evolve”.




He is also recently married which has calmed him down a lot (cutting down on the drinking and smoking), as well as getting a haircut, working with Habitat For Humanity and doing work with autism charities. As his career has progressed, he has found himself with more opportunities to give back to society. This comes from the fact as he gets older, he sees that one has to mature. “I remember going to the clubs when I was 20 and seeing guys twice my age going after girls my age” and thinking that was messed up. These guys hit their peak and then want to rest on their laurels.




He also thinks rappers need to grow musically and they don’t. Part of this might be blamed on the media which does like to pigeon-hole artists, esp in the mainstream. But he admits a lot of guys don’t want to give the effort. Here they are at 40 living a good live still singing about dire circumstances and not seeming to grow up and maintaining that frat boy, misogynist attitude. That is just them as artists not wanting to give a lot of effort. He says he knows rap came out of Do-wop and while those guys, like Smokey Robinson, didn’t put it into their music, he thinks today’s rappers almost put too much of it in.






He admits “none of the people I looked up to talked about their wives or taught about love and responsibility” and that is where Murs is in his life and while he admits he uses some bad words, it is within the context of a storyline, much like the stories the comic book artist he admires do.




With his continued work, he has a festival which gets 10,000 kids and he wants to make sure he portrays a positive image for them to relate to. “I’m not saying you have to be this mature now and do some partying, but when they hang out with me, they can see my lifestyle as something to work towards when they get my age”. It is good to have role models.




In regards to the new album, I have listened to about half of it, esp enjoying songs like “Easy-E” (an almost nostalgic look at the LA of his childhood) and “Remember 2 Forget” (about a woman he wanted to forget that was bring him down), I did call him out on “67 Cutlass” which is based on a true stories involving two young men driving down the road smoking pot and getting pulled over and one knocks down the cop and they stuff the “pig” in the truck. Murs admits that he did have reservations about the song stating that he knows a lot of cops that listen to rap music but also thinks back to when he was successful and young drivingin his car (his friend did have a Cutlass) and getting pulled over for no other reason than being black in a nice car. This shows the pros and cons of equality in the country and while this song tells a story (and that is what it is), it doesn’t define what he thinks of all cops and nor should anyone else. There are good and bad everywhere.






We also talked about the songs “316 Ways” which is part indictment about the industry as mentioned a few paragraphs ago. It is about his younger, more partying days and his empty lifestyle it brought. Then there is “Animal Style”, a song which talks about acceptance of homosexuals. This is something that doesn’t present itself in rap too often and there is some moral responsibility to have these discussions.




I enjoyed the album for the most part though I must admit, his stuff with his side project Felt is more my style. Still, I found Murs to be a very smart intelligent man who had kept up an indie style music until moving to Warner Brothers which while it didn’t last, did “provide a perfect opportunity to change myself for the better (he found Habitat For Humanity through them).




On a parting note, we did mention, he would like to see the industry grow because there is to much greed going on and sees the mainstream not really cater and to innovation, much like the way healthcare is being run today. Trying to do what has always been in place when a new perspective is needed.




We talked about music and found he enjoys artists like Elton John, Curtis Mayfield, the Beatles, Fran Sinatra and Sublime (which blew him away as seeing a white group sing about LA Riots with a strong hip hop energy that surprised him).




His tour manager is from Detroit and admires that he is trying to live in a hard place and not running away but trying to make it better. It is great to support local businesses and try to make something out of the area. He also points to the strong musical legacy of Detroit with Motown, Kid Rock, Jack White, Eminem and the energy that ICP is bringing which is nothing short of amazing. He looks forward to the show here in Detroit and is looking for some amazing energy.




I wish I wasn’t in NY and could take in the show so make sure to check it out for me.


Here are a few more suggestions along with Murs @ the Magic Stick Tuesday night to see:

Tuesday (10/25) - Trombone Shorty @ Toledo Museum of Art

Wednesday (10/26) - Tedeschi Trucks Band @ Royal Oak Music Theatre, Stephen Kellogg & the Sixers @ Blind Pig, Thrice @ St Andrews Hall

Thursday (10/27) - Debbie Davies Band @ Callahans, Frank Turner @ Magic Stick

Friday (10/28) - The Verve Pie @ the Ark

Saturday (10/29) - Gwar @ Harpos, Joe Bonamassa @ Fox Theatre, Howling Diablos @ Callahans, Plain White T's @ Eagle Theatre, Opeth @ St Andrews Hall

Monday (10/31) - Insane Clown Posse @ Fillmore Theatre



I also had some fun at the Art Gallery here in Rochester, NY. They had an exhibit where artists use “extreme materials” to create art which runs the gambit from a sculpture made of soap to a dress made out of condoms. Some of my favorites include a grasshopper adored with clock parts, an Egyptian obelisk decorate with computer boards and a room decorated with insects. I took some pictures of the fashion show and here are some of the better ones which include dresses made out of toilet paper, cardboard and magazines. I had a bad spot but got a couple of decent pics.

extreme toilet paper

Extreme Materials fashion show

Extreme green

Extreme magazine

O'Brother - St Andrews Detroit - 10/26

If you are checking out the THRICE show make sure to get there early to catch O'Brother
Wednesday 10/26 - St Andrews Hall Detroit

Written during the final weeks of 2010 following an unrelenting tour schedule, the debut full-length of Atlanta’s O’Brother is an acknowlegement on how that time away from home affected them personally, including the strains on relationships with friends and family, the contradiction of touring versus home life, and the tension of developing as a collective. The outcome is Garden Window, an 11-track LP that blends the band’s many influences: the aggression of Deftones and Torche, soaring guitars of Britain’s Oceansize, a hopefulness in line with Sigur Rós, and an attempt at the emotional depth possessed by Radiohead and Thom Yorke.

To harness their energy, the band enlisted Andy Hull and Robert McDowell of Manchester Orchestra to serve as producers, and hired Mike Sapone (Brand New, Public Enemy, Taking Back Sunday) to mix the final product. Ahead of the album’s November release date via Triple Crown Records/Favorite Gentlemen, the band is rolling out the lead single, “Machines Part -1″. The heavy, alt-rock track showcases the vocals of Tanner Merritt, the driving bottom end courtesy of bassist Anton Dang and drummer Michael Martens, and headbanging-worthy riffs of dual guitarists Johnny Dang and Aaron Wamack.


Leading up to the album’s release, O’Brother will spend time on the road with Thrice, Moving Mountains, and La Dispute.





O'Brother - "Machines Part - 1" by Consequence of Sound

10/22/11

BLUE OCTOBER @ THE ROYAL OAK MUSIC THEATER


I feel I missed the tour bus. Who knew about Blue October? Apparently, everyone but me. I had only heard of Blue Ocotober, when I was asked to cover the show. When I walk into the Royal Oak Music Theater(ROMT), it was packed. The crowd was a buzz with anticipation for the performance. I was pleasantly surprised to find out that Blue October has beed around for awhile. They have released over 10 albums, that have sold well. I can understand why, Justin Furstenfeld writes from personal experience, that all people can idenify with. A friend I meet there is going through the same experiences from the "Any Man in America." As I heard other people having the same experiences too.


The show was amazing. The musicianship of the band was impressive. The band can play a wide array of instruments, mandolins, violins/fiddles, keyboards, guitar, drums, and some others. But it just isn't skill of playing, but the showmanship was great. The whole band was moving, swaying, dancing around. It was a aural and visual treat. I'm very glad I got cover this show. It was a lot of fun.


Enjoy the photos and get a taste of show. I have to credit and thank Tink for the photos.


10/21/11

Wild At Heart movie review - Black Power Mixtape 1967-1975

Wild Bill Ketelhut provides the "blog" to this anti-blog







Wild At Heart



There is a lot of history and documentation of the struggle of black culture here in this country. This can be seen in Detroit with the Charles Wright Museum and Tuskegee Airmen Museum to name just a few. I have seen many exhibits and documentaries over the last decade so to see something different is interesting.


This comes in a documentary from Sweden, assembled by Göran Hugo Olsson, which uses documentary footage taken from an 8 year section of time when the Civil Rights Movement was at its peak. Most of the footage has never been aired before, esp in this country, and it is interesting to see how another country views us. We start the documentary with a white middle aged man in Floridsa telling the crew how wonderful America is because of our freedoms and then juxtapose that with interviews of black Americans stating how they have no freedom. It just shows how two people living so close to one another can have totally different views of society.


The documentary goes on looking at various figures like Martin Luther King Jr, Bobby Seale and Eldridge Cleaver as well as some of the people involved in the Black Panther party. My favorite parts include interesting footage with famed activist Angela Davis, a very powerful black woman, from prison and seeing Stokely Carmichael, one of the best speakers for the black cause, interviewing his mom in her living room. You don’t see much footage of Carmichael when he is not giving intense speeches so it’s nice to see him in a more natural setting.


The movie is not perfect though it does give a glimpse of what was going on in every year of the title and it does tend to gloss over a lot, but it does a good job on bringing some images of the era we have not seen before. It might get a bit preachy at times when talking about economic issues or how drugs helped play a part in the diminishment of the protest movement in the black communities, but by bringing in new material, we can overlook that and add this to the neverending landscape of what the black power movement in this country was all about.


Overall, this presents a nice addition to work already available to the public and anyone interested in racial issues will get a few things out of this documentary. It is currently playing at the Main Art Theatre starting this Friday so go see it.


My grade is an A-



10/20/11

DEADMAU5 - BACK to BACK Shows - tonight and tomorrow at the Fillmore


With a record breaking tour including six consecutive nights earlier this month at the Roseland Ballroom in NYC - DEADMAU5 returns to Detroit for back to back shows. In case you already have plans tonight, DON'T WORRY - tickets are still availble for tomorrow's show (say hi to me!)

And in case you can't make it either night - aside from checking out MCB for photos from his Detroit show -- I highly recommend you pick up the Deadmau5: Live @ Earl's Court DVD selling for under $20 (less than half your ticket..if you got the cheap ones).

MCB had the chance to review the DVD and must say - it definitely is worth the buy and would be a great "backdrop" to your houseparty or addition to your home theater collection.



Multiple angles on this Euro sell-out crowd really make you feel like you are right there with all the other "Mau5-Heads". He pulls out all the bells and whistles for this show, and has some other live guests making it different than the usual button mashing in the booth (what does he do back there anyway?)



Pick up the DVD and find out, and get down to one of his live shows this weekend if you can!

10/19/11

PHOTOS: ROCKSTAR UPROAR 2011 @ DTE MUSIC THEATER

Rockstar's Uproar Festival at DTE Music Theater was great. Here's highlights of this year. Below are links to each band's set.




Wild At Heart movie review - Love Crime

Wild Bill Ketelhut provides the "blog" to this anti-blog







Wild At Heart



The French movie “Love Crime” by director Alain Corneau (who recently died after the premiere of this film) is a work place thriller in which Christine (Kristin Scott Thomas) is on the fast track for a promotion to the companies New York office and is willing to take the credit from the younger, and perhaps smarter yet naïve Isabelle (Ludivine Sagnier).




When we first meet the two women at Christine’s house, it seems as Isabelle is just an underling who is being told to do work and like all great French films, there is a little sexual play as Christine is exerting her power/charms to get Isabelle to take her place on a business trip to Cairo. The trip goes well but the relationship starts to turn for the two woman as Isabelle hears Christine take credit for her ideas to land that account.



While she is not overly ambitious at this point, a fellow co-worker, perhaps with a grudge or just trying to manipulate the field, spurs Isabelle on to stand up for herself and take credit for her own work. Still reluctant to do so, a fateful (aren’t they always) party where Christine plays a mean spirited joke on Isabelle involving a man both are seeing becomes the turning point for Isabelle to finally try to upstage Christine. But will her desire for work place revenge also lead to a more permanent solution as a Christine gets murdered and the blame is placed on Isabelle.




I like the fact this movie takes a journey starting off as a drama/love triangle and transforms into a business drama and then ends as a murder mystery. It manages to pull this change up beautifully which a lot of films tend to come to a screeching halt when they switch gears. This movie remains remarkably afloat.




The main concern I have is that Christine is the more compelling character and with her gone, the film loses a bit of its bite. This does not mean Sagnier is not a good actress but Thomas is so good, her removal leaves a big hole that almost threatens to swallow up the whole movie. Luckily, we become invested enough that it doesn’t get that far and it has a nice ending which shows the competition of the business world. The business world is often compared to “sharks in the water” and Christine is the big shark yet even small sharks, seemingly benign, can cause problems.




This is definitely for fans of crime thrillers and I would recommend for Thomas alone. I wish the second act was stronger as Sagnier plays the weakness of Isabelle well, she doesn’t always make us truly believe in the stronger version of her character. Seeing Thomas’ character switch from mentor to bitch is truly fun however and there is enough here to make me wish we could see another film by the late director.



The film opens Friday, October 28 at the Main Art Theatre.



My grade is a B



10/18/11

STATIC Presents: The 16th “BIG ‘80s Flashback Halloween Bash!”




Static invites you to go back in time for the night with the return of thee retro party of the year. On SATURDAY, OCTOBER 29, be prepared to flashback to the ‘80s with the 16th Big ‘80s Flashback Halloween Bash! The only Halloween party of its kind in Detroit.

The Big ‘80s Bash started as a jam session of bands playing songs from the era in their own style. It has now turned into a must-see event and a tribute party you won’t want to miss! This year features 5 local acts performing ‘80s songs like you’ve never heard them before. So expect the unexpected!

Performing will be:
  • TWITCH 
  • BLOCKHEAD (Devo tribute) 
  • PANIC OR PAIN 
  • RED SEPTEMBER 
  • WALKIN’ TALKIN’ TOXINS 
Dress as your favorite ‘80s character and get free door prizes.

The party starts at 9 pm at THE CORKTOWN TAVERN, located at 1716 Michigan Avenue in Corktown - next to the vacant lot that was Tiger Stadium. Call 313-964-5103 for info and directions. 21 & over are welcome and cover is $6 and a portion of proceeds benefits CINDER Fund.org, a local non-profit animal rescue for cats.

For more information on the event please call Sue Static @ 313-886-7860 or check out the website at: www.staticrecords.com

Misfits - Harpos Detroit - Saturday 10/22

 
Misfits at Harpos Saturday 10/22
Punk rock icons the Misfits are back with their long-awaited new full-length of all original material - The Devil's Rain, released earlier this month on Misfits Records.  The band's current lineup is helmed by founding member Jerry Only on vocals/bass, who is joined by Black Flag's Dez Cadena on guitar and Eric "Chupacabra" Acre on drums.  On their upcoming tour the band will play new material as well as classic Misfits songs that many younger fans may have never gotten to see live.
 
DO NOT MISS THIS SHOW!
 
 
 
 
 

PHOTOS & REVIEW - Widespread Panic @ Detroit Fillmore

Last Friday night saw the return of seminal Southern psychedelic rockers Widespread Panic to Detroit. The Athens, Georgia jam band hit the Fillmore Theatre as part of their 25th Anniversary Tour and left the stage smoldering after two sets of improvisation-fueled numbers and a 3-song scorcher of an encore. The first set was well-played, albeit of a somewhat slower tempo overall than the second set. Opening with Old Neighborhood, front man and rhythm guitarist John Bell’s (or J.B. to Panic fans) raspy southern twang drew the audience in before launching into a cover of Talking Heads’ lesser known number Papa Legba. Throughout the first set was an ebb and flow as lighter and somewhat bouncier numbers like Wondering transitioned into faster, more intense tunes like Send Your Mind where lead guitarist Jimmy Herring (formerly of Aquarium Rescue Unit, the Dead, and Allman Brothers) and his frenetic 32nd notes blazed over Dave Schools’ mind boggling 6-string bass rhythms. The latter part of the set was a bit slower paced with well-played originals including Angels on High, Hope in a Hopeless World, and Cotton Was King. The floor of the Fillmore was fairly tightly packed but attendance was rather scarce in the balcony. However, closing out the set with Papa’s Home had the room rockin like it was sold out and the intensity was plenty enough to carry the audience through the set break. Widespread Panic fans (aka Spreadheads or Spreadnecks by some) tend to be 20 to 40 years old, white, suburban and particularly fond of intoxicating substances, both illegal and otherwise. The haze filling the theater was not from tobacco smoke, but it wasn’t the free-for-all that some associate with their shows and beer and whiskey were freely flowing all night long.



As masterfully played as the first set was, the band seemed to push things into overdrive with the second. Set opener Heroes was well executed and only seemed to hint at things to come as the song transitioned into another Panic favorite Conrad the Caterpillar that truly launched the set. Like several of the band’s other numbers, Conrad features a number of time signature and key changes that keep the uninitiated on their toes, while combining hard rocking rhythms and leads on keys and guitar with slower, spacey moments - like getting punched in the gut and then kissed on the forehead. However, it was after the bridge in Airplane when the spacy, psychedelic elements took the forefront during the transition and opening into Aunt Avis. Following Avis was an electrifying cover of Black Sabbath’s Faeries Wear Boots which had the energy of the Fillmore pumped up like a steroid-fueled major league hitter. Keeping the momentum going Panic followed with their hard-driving favorite Pigeons before taking it down a notch for keyboard player Jojo Herman’s Don’t Wanna Lose You that saw him wailing on the keys to the screams of ‘Go Jojo, Go!’ from up front. Closing out the set was a cover of Jerry Joseph’s Chainsaw City whose opening line, “In the Chainsaw City, read the book of Detroit steel,” fired up the crowd with its syncopated reggae-rhythm underneath Todd Nance’s kit drumming and J.B.’s ever-soulful vocals. After a short break, the band returned for an encore that started with the slower Her Dance Needs No Body before bringing things up to a fevered pitch with a dance-inducing cover of the Grateful Dead’s New Speedway Boogie and closing the night with Panic’s own Make Sense to Me, leaving the crowd energized and stumbling out into the chill of a mid-Autumn night in Detroit. Just around the corner from the theater, the telltale sound of hissing gas and the 20- and 30-something professionals and hippie kids clutching balloons full of laughing gas confirmed that one of the worlds best jam bands had been through the D. Hopefully, the 30th anniversary tour will be even better.

UPCOMING: Bazooka Jones - Simons Allen Park - Sat 10/29



Detroit's own freaks and living wonders Bazooka Jones are going to be having a Halloween debacle
at Simon's in Allen Park on Saturday Oct. 29th.

DO NOT MISS EVENT: The Crofoot CREEPY CHEAPY HALLOWEEN TREAT IV Crofoot Ballroom Friday, October 28, 2011 7 PM, Only $5.

 
The Crofoot CREEPY CHEAPY HALLOWEEN TREAT IV
Crofoot Ballroom Friday, October 28, 2011  7 PM,  Only $5.

For the fourth year musicians of Metro-Detroit have banded together to produce the ultimate musical masquerade, The Crofoot CREEPY CHEAPY HALLOWEEN TREAT IV. Now with more bands, more dancing, and more mayhem.  Each of the more than 15 bands will perform full-on costumed covers of the greatest bands of all times.

"We get more emails, phone calls, and facebook messages about Creepy Cheapy than any other event. Its an awesome event. People love it, myself included, " says Dan McGowan, of the Crofoot.

The night will be full of unique twists and devilish treats, as more than 15 bands and DJs  pay homage to their heroes on 3 of the Crofoots stages. The night will feature the fourth annual CANDY EATING CONTEST OF DOOM, free candy, and surprises galore. 

-Jon Moshier of 101.9 WDETs Modern Music says  "Creepy Cheapy is the Detroit Halloween must-attend event."
-Real Detroit Weekly says, "The Crofoot Creepy Cheapy Halloween Treat proved to be the richest piece of candy in our bag."
-And according to Motorcity Blog, "There is nothing better than Halloween at The Crofoot."

This years line-up:

School of Rock as MICHAEL JACKSON's THRILLER
Car Parts as ELVIS COSTELLO & THE ATTRACTIONS
Mister as BECK
Liz, Regan, Dina and Jen as THE SHIRELLES
Fawn as BLONDIE
Wilson as AC/DC
ChildBite as NINE INCH NAILS
Bahamut as WHITE ZOMBIE
Oblisk as JOY DIVISION
Jesse and the Gnome as RADIOHEAD
The Marvins as STONE TEMPLE PILOTS
Marble Fauns as ABBA
Man Halen as VAN HALEN
Brent "Black Smith" as JAY-Z
Creepy Crawlers as INSANE CLOWN POSSE
Pupils as BJORK
Citizen Smile as U2
Brain Stew as GREEN DAY
Woodman as THE MONKS
Golden Torso as IGGY & THE STOOGES
Pink Lightning as MICHAEL JACKSON

DJ sets by:
DJ Amy Dreamcatcher
Erno the Inferno
Cupcake Collective
Deep Cutz Charlie
Cedar Lashes
And more!


$3 beers and $3 specialty cocktails all night.

Sponsored by: Shutterbooth, Real Detroit Weekly, and WDET.

For more information please visit:
www.thecrofoot.com

10/17/11

CANT at the Magic Stick on Wednesday


CANT
w/ Luke Temple, and Blood Orange
Wednesday, October 19th at the Magic Stick
$15, doors at 8, all ages

Composer Chris Taylor is set to release his first solo album under the moniker of CANT September 13 on his own Terrible Records. Dreams Come True features Taylor, who serves as bassist, vocalist and producer of Grizzly Bear, collaborating with George Lewis Jr. of Twin Shadow. Twin Shadow’ s critically acclaimed record Forget was recently released by Terrible Records and produced by Taylor. Taylor plans to tour in support of the album with a full band, dates to be announced shortly.

Soon after finishing work on Forget Taylor and Lewis turned their attention to Dreams Come True. The pair wrote and recorded most of the material on Dreams Come True in a week and a half in a bedroom connected to what used to be Allaire Studios, where Grizzly Bear also recorded their lauded 2009 release Veckatimest.

Taylor joined Grizzly Bear in 2004 after the release of their debut record. Serving as the group’ s producer, Taylor is a multi-instrumentalist who plays bass, clarinet, flute, saxophone and accordion in addition to contributing vocals. Taylor founded Terrible Records in mid-2009 with label partner Ethan Silverman to devote more time to working with emerging artists. He most recently worked with Dev Hynes of Blood Orange.

Wild At Heart

Wild Bill Ketelhut provides the "blog" to this anti-blog






Wild At Heart


I don’t have too much going on right now, esp after such a disappointing sports weekend with the Tigers going down and the Lions first loss but at least both teams have been on good runs this year. At least we are not Philadelphia.


I have a couple of interviews I am working on and a couple more movie reviews coming out the next couple of weeks. Look for a review of “Love Crimes” later this week which should be out this Friday at the Main Art Theatre. There are a few good shows coming up, esp the lovely Lights from Toronto next Monday and the band Uh Huh Her tomorrow. Saturday seems to be the big night this week however with a lot of great big names and independents.


Here are my choices for the week:


Tuesday (10/18) – Uh Huh Her @ Shelter, Lemonheads @ Magic Stick


Wednesday (10/19) – Matthew Sweet @ Blind Pig


Thursday (10/20) – Collective Soul @ Motorcity Soundboard, Deadmau 5 @ Fillmore Theatre, Lil Ed & the Blues Imperials & Callahans


Friday (10/21) – Drive-By Trucks @ St Andrews Hall, Deadmau 5 (2nd night) @ Fillmore Theatre, Stephen Pearcy (of RATT) @ Ritz Carlton State Theatre, Dennis Coffey (CD release party) @ Magic Bag


Saturday (10/22) – Phantogram @ Blind Pig, Anvil @ Token Lounge, Boris & Asobi Seksu @ Magic Stick, Duran Duran @ Ceasar’s Windsor Casino, Enter The Haggis @ the Ark, Guess Who @ Ford Community and Performing Arts Center (Dearborn), Kate Voegele & Parachute @ St Andrews Hall, , Misfits @ Harpos, The Rascals @ Andiamo’s Showroom


Sunday (10/23) – “Alternative Press Tours” feat the Swellers @ Crofoot


Monday (10/24) – Lights @ Eagle Theatre


I’ll leave you with a new song by Lights. You got to love a girl with a 70’s era Wonder Woman (when they were doing the woman’s right issues) tattoo and who is a big fan of Magnus Robot Fighter.






FREE 3-CD PACK from Asobi Seksu (openers for BORIS) - Magic Stick Detroit - 10/22

Asobi Seksu (colloquial Japanese for "playful sex") released its self-titled debut album in 2004 to significant critical acclaim, winning rave reviews from the New York Times, Nylon, Under the Radar, YRB, and XLR8R, among others; scoring a #1 video on mtvU's Dean's List with the song "Walk on the Moon;" garnering a top ten spot on CMJ's radio charts; and becoming an instant favorite in the New York City scene, playing packed shows at the Bowery Ballroom, Knitting Factory, and Mercury Lounge.


For its second album, Citrus (released in 2006), the band headed into Gigantic Studios in New York City to record with producer Chris Zane (Les Savy Fav, Tokyo Police Club, Shy Child). The result was tremendous: a powerful, sweeping album, sung in both English and Japanese, which showcased Yuki and James' ever-growing songwriting skills. Citrus received worldwide acclaim and expanded Asobi Seksu's fan base all over the United States, and also into Europe, Japan, Australia, Korea and Mexico.


When the time came to begin work on their third LP, James and Yuki once again enlisted the skills of producer Chris Zane. After a long eight weeks in the studio together, the band has emerged with another exceptional piece of work. Asobi Seksu have always been masters at creating musical textures; gauzy, cloudy dreamscapes for their slower songs and squalls of guitar and daisy-chained effect pedals for their barnstormers.


What truly distinguishes them is that the band has now married this ability to a finely honed pop sensibility. The songs they write aren't just "pretty," they're melodically rich and incredibly catchy.As their captivating live show attests, Asobi Seksu have outgrown the comparisons to My Bloody Valentine and others, and have finally realized their potential as one of New York's greatest bands.


The new album, Hush, was released in February 2009.


In November 2009, Asobi Seksu released Rewolf , an album that found the band's core duo offering a fresh take on songs spanning their entire career. One of the last albums recorded at London's renowned Olympic Studios, on Rewolf the texturized dream-pop of Asobi Seksu's three prior full-lengths is replaced with beautiful arrangements achieved through the use of mostly acoustic instruments.


In February 2011, Asobi Seksu released Fluorescence.




ASOBI SEKSU

Magic Stick Detroit

Saturday 10/22/2011



email motorcityblog@earthlink.net for you shot at a 3pack CD set from the band


THIS WEDS: Working with Diego Rivera lecture @ DIA


Wednesday, Oct. 19 at 6:30 p.m.


Artists to talk about their lives, work, and time with Rivera and Frida Kahlo

Detroit, MI – The Detroit Institute of Arts (DIA) presents “Working with Diego Rivera: Recollections by Rina Lazo and Arturo Garcia Bustos” on Wednesday, Oct. 19 at 6:30 p.m. in the DIA’s Detroit Film Theatre auditorium. The program is free and open to the public.

As young artists in Mexico, Rina Lazo and husband Arturo Garcia Bustos studied and worked with Diego Rivera and Frida Kahlo. They will discuss their lives, their time with Rivera and Kahlo, and their work. Following the presentation, Lazo and Bustos will take questions from the audience.

The lecture is free, but tickets can be purchased to a 5:30 p.m. cocktail reception with the artists in Rivera Court for $40. Tickets for the cocktail reception and a seated dinner at 7:45 p.m. are available for $100. To purchase tickets, call 313-833-4025 or email rgoodwin@dia.org.

The event is co-sponsored by the DIA auxiliary Associates of the American Wing, the Consulate of Mexico in Detroit, the United Auto Workers (UAW) and the International Brotherhood of Teamsters.

Rina Lazo and Arturo Garcia Bustos have been active muralists, painters, and printmakers since the 1940s. Born in Guatemala City, Lazo moved to Mexico City in the mid 1940s to study with Rivera and Frida. After completing her studies, she worked as Rivera’s assistant from 1947 until his death in 1957. Rivera once described her as “a painter of great talent. My beloved friend, my right hand, the best of my assistants.” Her murals can be seen throughout Mexico and Guatemala. Lazo was also an influential teacher who taught at the National Institute of Fine Arts in Mexico City for more than 30 years.

Bustos, born in Mexico City in 1926, began his studies with Rivera and Kahlo in 1942, quickly gravitating to Kahlo with whom he studied throughout the mid 1940s. During his years with Kahlo, he became known as one of “los Fridos,” four young artists famous for their devotion to Kahlo. In 1947 Bustos joined the Taller de Grafica Popular (Popular Graphic Workshop), an important 20th-century collective of Mexican printmakers, where he helped found the group Artistas Jovenes Revolucionarios (Young Revolutionary Artists). A muralist and painter, Bustos is especially well known for his prints. A retrospective of his graphic work was recently held at the National Institute of Fine Arts in Mexico City.

To commemorate their appearance at the DIA, Bustos created a special signed and numbered limited edition of his print Earth in Farm Worker’s Hands (Tierra en manos campesinas). The prints are hand-screened on high-quality archival paper and cost $100 if purchased prior to the event. They may be ordered from Farm Worker Print, The Campaign for Migrant Worker Justice, (419) 243-3456, ext. 1 or info@cmwj.org. Prints may also be purchased at the event for $130. Proceeds will support the Campaign for Migrant Worker Justice.

THIS THURS: "I'm Dangerous With Love" w/filmmaker Q&A @ DFT

Thursday, October 20 @ 7.30pm
SPECIAL EVENT

The Detroit premiere of I'm Dangerous With Love will be Thursday, October 20, 2011, 7:30 pm, at the Detroit Film Theatre. Detroit Institute of Arts, 5200 Woodward Avenue, Detroit, MI, 48202.


I'm Dangerous With Love is about addiction and rehabilitation, activism and shamanism. It's the story of Dimitri Mugianis., who started out as the heavily addicted front man for the [Detroit] band Leisure Class, then ended his long drug and alcohol addiction five years ago with an experimental treatment that used the hallucinogen ibogaine.

African shamans have used ibogaine in their rituals for centuries, but in the U.S. it is a Schedule 1 controlled substance. Dimitri now very illegally takes addicts through the same detox that he says saved his life. I'm Dangerous With Love is an underground adventure that traces Dimitri's risky journey as he treats desperate drug users. He is a man of edgy energy going from one addict to the next without stopping to catch his breath.

But then one session goes bad in a remote snowed-in Canadian home, and a quiet young man almost dies. Dimitri has to decide whether or not to continue his mission. Is it serving the addicts or just releasing his own demons? Dimitri travels to Gabon, West Africa, to consult with Bwiti shamans, and puts himself through a punishing iboga initiation in search of guidance.

"Bursts on the screen like a circus fire. A movie you'll never forget." --Chris Hegedus and D A Pennebaker

FREE TICKETS: MISTER HEAVENLY - Pike Room Crofoot Pontiac - Mon 11/14

MISTER HEAVENLY with MR. DREAM and BRETT GELMAN (from Adult Swim's Eagleheart) at the Pike Room

MONDAY NOVEMBER 14
doors at 8pm
tickets: $13 in adv; $15 day of


Mister Heavenly… is comprised of indie rock veterans Nick Thorburn (Islands/The Unicorns), Ryan Kattner (Man Man), and Joe Plummer (Modest Mouse)

Get tickets here

win tickets here - motorcityblog@earthlink.net

Canstruction 2011 Detroit Design/Build Competition & Exhibit


Canstruction 2011 Detroit Design/Build Competition & Exhibit
October 26-30, 2011
Detroit Institute of Arts
5200 Woodward Ave.
Detroit, MI 48202

The community is invited to the Great Hall at the Detroit Institute of Arts to explore the 2011 Detroit Canstruction® Design/Build exhibit.  View giant sculptures made completely of canned food highlighting the event's theme – "you can't spell food without the D." Thousands of cans of vegetables, soups and other canned goods will be transformed into works of art by teams of local architects, designers, engineers, contractors and students to help raise awareness about hunger issues while nourishing families in need. All cans used will be donated to Gleaners Community Food Bank. Exhibit open to the public during DIA hours of operation. Please visit www.dia.org for museum hours and admission cost. 

ART OPENING: Tête de la Course - CCS Center Galleries - Fri 10/21

Photograph by Donald Dietz

 
Opening at CCS Center Galleries
Friday, October 21, 6-8pm

Tête de la Course

Photographs by Donald Dietz

&

Hybrid Bicycles by

Darrin Brouhard |Stephen Lambers Jr. |King Wayne Neeley & East Side Riders |Larry Parker | Neil Shaddox |Ted Sliwinski



 

In Alumni & Faculty Hall: Voices in the Wind: Photographs by S. Kay Young
Both exhibitions run through November 19

Center Galleries
College for Creative Studies
Manoogian Visual Resource Center
301 Frederick Douglass (corner of Brush Street)
Detroit, MI  48202
T: 313-664-7800
W: collegeforcreativestudies.edu/center_galleries
E: mperron@collegeforcreativestudies.edu

Mark your calendars with these upcoming events of The CCS Woodward Lecture Series:

Thursday, November 10 @ 7pm: Terry Smith, art and social historian
Thursday, November 17 @ 7pm: Linda Yablonsky, author and art critic
Thursday, December 8 @ 6:30pm: Ryan Trecartin, video artist

www.collegeforcreativestudies.edu/events