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11/7/12

FREE DOWNLOAD: Kid Rock Pens Unique Anthem for the Detroit Lions

Kid Rock recently penned a unique anthem for the Detroit Lions, giving a nod to his Michigan roots.
This was part of the Pepsi NFL Anthems program, where artists and athletes are paired to collaborate and create customized anthems for their respective teams.
It's definitely a unique merging of music and sports.

What do you think of Kid's anthem "In Detroit?"
check it out and download it for free here

http://soundcloud.com/pepsianthems/kid-rock-in-detroit

11/6/12

THIS SAT: Torch with a Twist @ Jazz Cafe

Torch with a Twist

Saturday November 10
7-9pm

Jazz Cafe
at the Detroit Music Hall
Leilani
Polly Glamorus
Satori Circus
Lushes Lamoan
Joshua Wilde


FREE TICKETS: Jonathan Toubin's Soul Clap & Dance Off - The Old Miami Detroit - Saturday 11/10


DJ Jonathan Toubin is returning to Detroit on 11/10 to bring his signature Soul Clap & Dance-Off party to Old Miami Detroit. This will be his first show back in town since the freak accident in his Portland, Oregon hotel room that nearly took his life. 

He's made a remarkable recovery 
and is back on the wheels spinning your favorite 45's.

Let's give him a motorcity welcome and get down to this show!

Win a pair of tickets by emailing motorcityblog@earthlink.net 

OLD MIAMI
3930 Cass Avenue  
Detroit, MI 48201
(313) 831-3830

FREE DOWNLOAD: Blonde No.7 - DJ CASH4GOLD


Check out MCB's RebeccaMich (DJ CASH4GOLD) 
Interview and Free Download Mix

THIS FRIDAY: Paul Oakenfold w/ Matt Aubrey at Elektricity



Friday November 9th
PAUL OAKENFOLD
www.pauloakenfold.com | Perfecto Records
MATT AUBREY
Stoney Boy Music | Detroit
Doors @ 9pm
18+

$15 Tickets available at www.elektricitymusic.com

For booth reservations contact: elektricitymusic@gmail.com

Elektricity Nightclub
15 S Saginaw St.
Pontiac, MI 48342
248-599-2212

11/5/12

Blonde Presents: BRUNCH - This Sunday - 3 Year Anniversary Event


It seems like just yesterday that we were launching the website, pressing logo tees and crossing our fingers for the best. Now we are all grown up (sort of) and three years later we are still pressing tees, working to make the website better and crossing our fingers for the best. Difference is, we have lots of new fans and friends that we have met along the way



On Sunday, 11.11.12 we invite you to celebrate our third anniversary with us as we host a Sunday brunch like you've never seen before.

Noon begi

ns our Art Reception featuring the work of (Detroit artists) Jennifer Blair and Heidi Barlow. Brunch will be served promptly at 12:30, and is provided by Royal Oak's very own What Crepe? Before you leave, make sure to hand screen your very own exclusive tee at the event or purchase some of our goods at discounted, event pricing.

Sounds for the event will be curated by Blonde mix curator and Tour Detroit DJ, Joe Vargas.

In Brief:

Arrive at: North End Studios | Detroit, MI
From: Noon - 3PM
Art showing/Reception: Noon
Brunch served: 12:30P

As a service to our friends/supporters, there is no cover.

Please click here to RSVP via Facebook

North End Studios
5101 Loraine StreetDetroit, Michigan 48208

Wild Bill Ketelhut provides the "blog" to this anti-blog












Wild At Heart


Last week I was up in Toronto to check out New Order at the Sony Performing Center For The Arts which gave us a perfect blend of 18 classic songs. The show started with “Elegia” and things were going along great with nice visual backdrops on the screen behind the band until the place exploded with “Bizarre Love Triange” and continued with “True Faith”, “The Perfect Kiss” and “Blue Monday” which of course had the biggest crowd reaction of the night. They ended with a three song encore which covered three Joy Division songs, “Shadowplay”, “Atmosphere” and finally with “Love Will Tear Us Apart”. Yeah, they are not the same without Ian Curtis’ haunting vocals, but it was a nice gesture to the fans who loved him. This was a wonderful show and makes me glad I was able to catch up with them. It makes up for the Radiohead stage collapse earlier this summer.

Earlier in the day, I caught a matinee performance of “War Horse” at the Prince Of Wales Theatre. It was a last minute purchase for me and I saw they had a $35 ticket so I went for it. I thought I was going to up in the upper balcony but ended up in this little side stage area in the 2nd row which was amazing. I liked the movie and was wondering how they could make all that action happen on a stage. They have this amazing puppetry work from the Handspring Puppet Company to bring Joey and the black horse to life. They have Joey as a young colt and later as a full size war horse which are controlled by three puppeteers. On the full size horse, they have two puppeteers working the legs with this contraption that allows them to do the movement and balance the main part of the body in such a way that the actors can actually ride Joey like a real horse. The third controls the head movements. While I was captivated by this part of the production, the couple besides me mentioned that after awhile they forgot the puppeteers were even there. It is just amazing what they did and just ups the ante for any future projects. This is worth seeing for the effects alone though most people will really get into the story of the boy and his horse both caught up in the horrors of trench warfare. I give the production an A. The show runs until January so make sure to catch it.

After this I went to see the "Frida and Diego" exhibit at the Art gallery Of Ontario. I had never been there before and was quite impressed by the museum in general. Both artists were born in Mexico and are part of the underground movement. Diego should be familiar to Detroiters that frequent the Detroit Institute Of Arts and see his mural in the foyer. The exhibit includes photographs of both artists in the DIA as he was working on the project. I admit that while I am not the biggest fan of either, going Wednesday night which is ½ price night more that makes up seeing an exhibit of two very interesting artists. Frida typically does portrait of herself but the ones she did after her accident are my favorites with the honest viserality of pain and the loss of her baby. Very impactful work that is hard to ignore. Check out the website for more information about the artists and the show at http://www.ago.net/. Make sure to get up there before January 6th so you can also take in the Evan Penny exhibition “Re Figured” where the artist makes larger than life sculptures and pictures of people faces. What intriques me are the ones which he distorts making faces thinner, or in 3-D or other adjustments messing with the reality of the figures. Some very fascinating work. They have a bunch of other exhibits which change as well as established works such a whole four rooms dedicated to works in miniature but my personal favorite was the ship models in the basement. There are around 80 models which would be the envy of any ship collector from sailing ships to steam powered, etc. I would give the museum a good 2-3 hours window and I barely got it in 75 minutes but I had to get to my New Order show.

Art Gallery Of Ontario

They have some nice smaller galleries of modern art across the street and some nice restaurants nearby. I had 2 recommended so I had dinner at Sin & Redemption (nicely situated across from a Catholic church) which is a pub atmosphere which specializes in beer. I ended up trying the wild boar burger which had a wonderful aroma but was as tasteful as I thought it would be.

Sin & Redemption in Toronto

Wild Boar burger at Sin & Redemption

I then went next door to the Village Idiot Pub which specializes in Irish fare and had a nice bowl of French Onion Soup and a wonderfully delicious black and white mousse cake. Very good and very busy. They even turned a couple of groups away. Luckily I was dining by myself.

Village Idiot Pub in Toronto

French Onion Soup and Chocolate Mousse Cake @ Village Idiot Pub

I also briefly checked out the TIFF. I was a day short of the big James Bond opening. They didn’t get my media request on time so I lost out on seeing the exhibit so I cannot tell you how it stacks up against the Bond exhibit that was at the Henry Ford a few years ago. I did catch one display in the lobby which had some swimsuits from the movie and here is the entrance way as well as bikini worn by Halle Berry and Ursula Andress (if you don’t know the movies you better look them up). So I can’t tell you how good the exhibit is but in runs until early January and the TIFF usually does great work with it’s exhibits.

TIFF - James Bond entrance

TIFF - Bond, Halle Berry (Jinx) and Ursula Andress (Honey Ryder)

However, I did get to see the Gordon Smith free exhibit upstairs which runs until March 31st. Smith is a Canadian make-up artist and designer who has worked on many well known films and TV Series including Fringe TV series, Platoon, Near Dark, Born On The 4th Of July, Nixon, etc as well as the X-Men films which this exhibit highlights. The exhibit looks at the make-up work of 5 characters (Wolverine, Mystique, Senator Kelly, Lady Deathstrike, Sabretooth, Toad and Nightcrawler) and provides nice insights to how the designs came about for Mystiques’ skin, Toad’s tongue or Sabretooth’s claws. They have done an excellent job putting together an incredible display that will appeal to future make-up artists as well as fans of the movies/comics. If you like the X-Men, this exhibit is a must see and well worth the trip. Check out the website for info about both exhibits and the many films and guest appearances that are made there, http://tiff.net/. I really found the info surrounding Mystique’s make-up the most fascinating as well as Nightcrawler’s tail.

PhotobucketPhotobucketTIFF - X- Man exhibit - NightcrawlerTIFF - X-Man exhibit - Mystique skin

On the way home, I stopped by in Hamilton and checked out the Canadian War Plane Heritage Museum which features numerous planes highlighting the aviation history of Canada. Despite seeing these planes up close, there are some you can actually have the privilege to sit in as well as trying out the combat flight simulators. The museum has 30 planes on display both inside and outside as well as a work area where you can watch them restore some of the vintage aircraft. I enjoyed sitting in the cock pit of the Avro Canada CF100 MK 5D which were in use from 1953-1981 to patrol the Canadian border to look out for Soviet incursions.

Canadian Warplane Exhibit - in cockpit of Avro Canada CF100 MK 5DCanadian Warplane Exhibit - Avro Canada CF100 MK 5D

The museum has a lot of cool planes on display and I would give the place a minimum of two hours to fully enjoy all the exhibits though three might be better. Here are some picture of some of the planes which stood out to me and you can go to their website, http://www.warplane.com/index.html, for information about the exhibits and specialized info on the planes.

Canadian Warplane ExhibitCanadian Warplane Exhibit - Lockheed CF-104 StarfighterCanadian Warplane Exhibit - De Havilland Canada DHC-5A BuffaloCanadian Warplane Exhibit - North American B 25J Mitchell IIICanadian Warplane Exhibit - North American B 25J Mitchell III - Hot Gen!Canadian Warplane Exhibit - Nanchang CJ-6A

I liked this last plane because of the cool Snoopy designs on both sides showing our favorite Ace pilot and Red Baron fighter.

Canadian Warplane Exhibit - North American YaleCanadian Warplane Exhibit - Fighting Snoopy ICanadian Warplane Exhibit - Fighting Snoopy II

So, if you are looking for a weekend getaway, as always there is a lot going on in Toronto and here are a few suggestions. I won’t forget to mention the Ultimate Dinosaurs still going on at the ROM and a ton of cool concerts. Hope this might inspire a few people to make a trip to the best city in North America and it is not that far away.

Lastly, here are some recommended concerts for the upcoming week and it seems to be a very good week for the Ark:

Tuesday (11/06) – Stephen Kellogg & the Sixers @ The Ark

Wednesday (11/07) – Bettye Lavette @ the Ark, Richie Hawtin & Carl Craig @ Boom Boom Room (Windsor)

Thursday (11/08) – Matisyahu @ Pease Auditorium (Ypsilanti), Joe Pug @ Blind Pig, Pierce The Veil @ Royal Oak Music Theatre, Madonna @ Joe Louis Arena

Friday (11/09) – John Williams w/Detroit Symphony Orchestra @ Orchestra Hall, Sloan @ St Andrews Hall, Lez Zeppelin @ Magic Bag, Hinder @ Hard Rock Café, Tom Chapin @ the Ark

Saturday (11/10) – Aimee Mann @ Royal Oak Music Theatre, Swellers @ Magic Stick, Lightning Love @ Lager House, Enter The Haggis @ the Ark, John Williams w/Detroit Symphony Orchestra @ Orchestra Hall

Sunday (11/11) – Sonny Landreth @ the Ark, Hawthorne Heights @ the Ritz (Warren), Theory Of A Deadman @ Machine Shop (Flint)

Monday (11/12) – Richie Hawtin & Carl Craig @ TV Lounge

FREE TICKETS: Amanda Palmer - St Andrews Hall Detroit Tues 11/13-


MCB will in full force at the upcoming Amanda Palmer show 
at St Andrews Hall next week on Tuesday 11/13
for your chance to win and get your tickets to this show



http://www.amandapalmer.net/

Amanda Palmer & The Grand Theft Orchestra released Theater Is Evil, September 11 on Palmer’s own 8ft. records. Offering another taste of the album, the band has released “The Killing Type, a brutal love song lead by a thrumming baseline and Palmer’s signature storytelling lyrics, which build to a frantic climax. 

Developing new interactive technologies with a variety of collaborators, the band plans to crowd-source everything from musicians to family photos and other personal artifacts, placing the audience members’ voices and bodies directly into the performance. Producer, production designer, and theatrical director for the THEATRE IS EVIL tour as well as the band’s drummer, Michael McQuilken explains: “I find Amanda's hyper-inclusive relationship with her audience to be hugely inspiring.  Her fans aren't distant observers, they're family. So I've been working on ways to make the fans and their contributions the primary motivation for all of our production decisions. Each new audience will have an experience unique to them. You'll have to come to the show to find out more.”

From book swaps in bathrooms to an orchestra of local strings and horns sourced through the internet, Palmer is excited to take on the challenge. “It's Rocky-Horror-meets-Scavenger-Hunt-meets-Interactive-Art-Happening... just my cup of tea,” she explains. “It’ll take a ton of work to rehearse a whole new set of folks every afternoon, but it's a great way to feel connected to the city we're in.”

This tour will be the first opportunity for audiences to experience Amanda Palmer live with her new band, The Grand Theft Orchestra. “Everyone in the band has a super-power on stage,” says Palmer. “Our drummer is a director, our guitarist is a sound designer and a horn arranger, and our bassist is a classical conductor. And we're ALL theater geeks, so the whole band is like a massive transformer robot that can be a slamming rock band and also be an emotional avant-garde musical.”


Henry Rollins interview on his Capitalism Live tour



I spent fifteen minutes with Henry Rollins, the iconic American spoken word artist and former frontman for Black Flag and the Henry Rollins band, in support of his Capitalism live tour which will be broadcast over the internet tonight from the nations capital in Washington D.C. Eloquent and thoughtful with his words, we discussed the state of the country today and the upcoming presidential election tomorrow. Here is the audio of our interview.


Henry Rollins Interview 11/05/2012 by Michael 'Mick' McDonald
 
You can view his live performance tonight at 8pm EST on the Take Part YouTube channel linked here.

http://www.youtube.com/takepart

FREE TICKETS: REVOLUTION @ The Detroit Institute of Arts - Late Night Afterparty - Saturday 11/10

MCB has a pair of tickets to giveaway to The Detroit Institute of Arts’ annual gala, which is the museum’s biggest fundraiser of the year, is on Saturday, November 10, and highlights the DIA’s current exhibition Fabergé: The Rise and Fall

This year the gala’s late-night party—Revolution—features exclusive access to the exhibition, lively entertainment, exotic décor, cocktails, dessert and dancing. 

While gala tickets are $2500 and $600 for the entire event, at $125, the late night party is a more affordable option for people who want to support the museum and still have a great time. 

email motorcityblog@earthlink.net for your chance to win



SATURDAY, NOVEMBER 10

Be a part of the Fabergé Gala Celebration at the Detroit Institute of Arts

9 p.m.: Royal Arrival
Exclusive viewing of the exhibition 
Fabergé: The Rise and Fall
Private Reception
Cocktails
Hors D'oeuvres by Forte Belanger
9:30 p.m.: Join the Revolution on the Dance Floor!
Dessert
Dancing
Cocktails and Vodka Bar
Late Night Fare
Suprises

$125 per person
Complimentary valet parking at Farnsworth Entrance.
Call 313-833-7967 or purchase tickets online.

TUESDAY: WAZU - Lager House Detroit - 11/6 - Ann Arbor's Far House 11/8


Never has heartbreak sounded so enticing and danceable.
Modern industrial-pop duo WAZU just released their debut, album, Robobo this Halloween. These New York City-based Australian transplants appear to have swallowed some of the same sexy electronic pills as The xx, but have regurgitated them in a much more elaborate and foreboding fashion, earning them heaps of recent buzz. Their dark and danceable self-titled debut EP is a glorious, vicious little tease of what’s to come from this male-female duo on Robobo.

 
US TOUR DATES:
Nov 1: Philadelphia, PA - PhilaMOCA
Nov 3: Buffalo, NY - Festival of Blood
Nov 6: Detroit, MI - Lager House
Nov 8: Ann Arbor, MI - Far House

Nov 15: St Louis, MO - The Heavy Anchor
Nov 16: Louisville, KY - Haymarket Whiskey
Nov 18: Atlanta, GA - 10 High
Nov 24: Dallas, TX - Good Records (3pm)
Nov 24: Dallas, TX - Dada
Nov 25: Austin, TX - Frontier Bar
Nov 27: Austin, TX - Wardenclyffe Gallery
Nov 29: Houston, TX - Super Happy Fun Land
Nov 30: Baton Rouge, LA - TBA

FREE TICKETS: DEATH GRIPS - Magic Stick Dietroit - Nov 19th



We gave away some tickets to the previously scheduled DEATH GRIPS show which was cancelled and rescheduled for 11/19 - if you were a winner you will be hooked up for this show as well...we know who you are so be ready to roll cuz we added your name to the list yo!

Get your tickets here now
http://www.majesticdetroit.com/majestic-upcoming-events/death-grips-mykki-blanco.html

If you want to check out DEATH GRIPS for yourself hit us up for your shot to win a pair
email motorcityblog@earthlink.net





It was said that when death-hop trio Death Grips signed to Epic Records, the powerhouse label was so determined to sign the crass group that they would not let any of them leave the building unless the dotted line was filled. Blasting their way into the music scene last year with the release of their debut album The Money Store, Death Grips have made loudness, obscenities and sound thrashing a staple to their appeal, making sure to scare the shit out of you with everything they can possibly do. If labelmates Rihanna and Usher play the poster-children for pop likeability and catchiness, Death Grips have undoubtedly become the kids you wouldn't want to be seen with, a distorted vociferation in the muffled distance.

Now less than five months later, when you thought the trio could not get any more reckless and unpredictable, they never fail to prove us wrong. With what was supposed to be the second album for Death Grips under Epic/Columbia NO LOVE DEEP WEB, the label unsurprisingly seemed to suddenly have some cold feet in the actual release, delaying the date to reportedly "sometime next year." Apparently, this didn't play well with the group. On Oct. 2nd, Death Grips performed the ballsiest move the music industry has seen in quite some time -- they released the long-delayed album themselves on their website for free, against all contractual obligations.

While many heavy metal or hardcore hip hop groups also toy with the sounds of rage and lunacy, it becomes clear that the key factor behind Death Grips' unique appeal does not rest in the anger spoken, but lies in the way the emotions are portrayed. Never for a moment can anyone pinpoint a genre or put a box on the sounds. Vocalist MC Ride always seems to stumble between off-beat "rapping" and just plain brash shouts, an odd mix which somehow works without question. In the second track to the album "Lil Boy," as soon as a hip hop enthusiast might find comfort in the opening tom-filled drumbeat, a slap to the face comes in the form of synth thrashing dub waves. Rapid and outlandish drums generally fill the air for most tracks, creating way for the dirty, guttural synthesizers and samples. Its pandemonium and it's beautiful.

Henry Rollins Capitalism - Monday, November 5



Henry Rollins’ Politically-Charged “Capitalism” Tour Launches Exclusively on TakePart TV, YouTube’s First Impact-Driven ‘Original’ Channel
Experience Rollins’ Provocative and Unflinching Look at the Issues in This Year’s Election During His 50-State National Tour  
LOS ANGELES, Oct 2, 2012 – TakePart TV, a socially-relevant YouTube channel recently announced by Participant Media today launched Henry Rollins’ “Capitalism” tour at www.youtube.com/takepart. TakePart TV viewers will have exclusive access to the two-month tour as the punk-rock icon and spoken word artist stops in each of the 50 state capitals, culminating with a live election-eve performance on November 5 in Washington, D.C.

"Henry Rollins is like a Punk Rock Mark Twain, crossing the country, doling out unfiltered common sense.  He attracts audiences of all generations because his is an irreverent, authentic and powerful voice that people trust. Agree with him or not, we believe Henry's show and election night special will spark spirited conversations about important issues and inspire our viewers to get off their butts and vote,” said Evan Shapiro, President of Participant Television.

Prior to this announcement, fans of the provocateur were only able to experience Rollins’ pointed commentary and wry observations about the world we live in by attending the live shows, which began at Hawaiian Brian’s in Honolulu, HI on September 6. Through TakePart TV and the Web series, viewers get a front row seat as he visits destinations as diverse as the Diamond Ball Room in Oklahoma City, OK and TF Riggs High School in Pierre, SD, among many others.

“It's an interesting time to be awake in America. Every presidential election is important but the 2012 election will no doubt lodge in the memory for decades to come. History is always in the making but some periods are more eventful than others and right now is  . . . wow, what a time,” said Rollins. “I will be spending every single day, all the way up to the eve of the election in American cities, connecting and interacting with citizens of the republic. TakePart TV gives you incredible access to the journey on a day-to-day basis."
Along the tour, TakePart TV will feature daily video updates from Rollins that will candidly explore where he is, the people he is meeting, and the regional issues he is discovering.

“Capitalism” premieres Oct. 2 on TakePart TV at www.youtube.com/takepart.

11/3/12

SPECIAL REPORT: CSICon 2012 by DC-in-Detroit

DC is a longtime contributor to the MCB.
She can be reached at DC.in.Detroit [at] gmail.com

Special Report:
CSICon 2012
Presented by the Center for Skeptical Inquiry
24-28 October 2012
Nashville, Tennessee

Read DC's write-up of last year's CSICon here.

Last October, at CSICon 2011, I fell in love.

I fell in love with a city, with an organization, with a mindset... I stop short of saying with a movement; not because people don't consider "skepticism" exactly that, but because I've never really been an activist. The notion of skepticism is, for me, more of an internal revolution. And as many more people will tell you, it's a method, not a destination.

By the time the conference came to a close last year in New Orleans, I already knew I'd want to come again. When they announced the location to be Nashville, it was a done deal.

I'd never been to Nashville for more than a drive-by before. I know a lot of Detroiters who really love it there, so I felt like there was already a soft recommendation for me to visit. Google Maps told me it was about a 9-and-a-half hour drive, so I figured I could make it in 8, and have my car available during my stay. Oh, and not have to worry about over-packing, since everything I own will fit in my Volvo wagon. Win-win-win.

11/2/12

Wild At Heart movie review - The Other Dream Team


Wild Bill Ketelhut provides the "blog" to this anti-blog












Wild At Heart


When I think of the “Dream Team”, I think back to the first time American pro basketball players suited up for the Olympics and easily took home the gold. Seeing guys like Magic Johnson, Larry Bird and Michael Jordon along with the lone college player Christian Laettner was a bit of a disappointment to me from a purist stand point. I enjoyed the fact that it was college players which represented us for decades and after the Bird/Magic years, I was largely disinterested in professional basketball but was a serious fanatic of the NCAA tournament. However, it was the Russian victory over the US in 1988 the made us realize that if we wanted the Olympic gold we needed to super-size ourselves on the national stage.

That 1988 team was not purely Russian but made up of players from a number of Baltic countries including four superstar players, including Sarunas Marciulionis and Arvydas Sabonis, from the same town in Lithuania. So basically, you could put an * in front of this win and give it to Lithuania and not the USSR who only had two players on the roster. Despite that, this team was fast and tall much like American teams and put on a nice fast break tempo game. It is the accomplishments of this team that inspired the documentary “The Other Dream Team” by Marius A. Markevičius as he follows the team’s journey under the influence of Communist rule to the Summer Olympics in Barcelona.

The documentary does a good job providing a framework for what these athletes went through to play their sport interspersing achival footage going as far back as the 1930’s. I would have liked to see more of this aspect highlighted but we did get glimpses of them talking about standing in food lines for hours for a chance to get a loaf of bread despite their celebrity or having to give speeches that were written for them expressing lies that they did not believe in but had to read if they wanted to play basketball. They also told stories of being followed by the KGB (and sneaking out of hotel rooms) and buying good in other countries to bring back to sell for a profit as a way to supplement their meager earnings.

I would have liked to see more of the players families in this regard talking about the pride of their sons playing for their country despite the press focusing on Russia (and ignoring the Lithuanian ties) and the hardships the families faced to survive in this country prior to independence. That would be the real story for me but it does a decent enough job in this area.

A couple of these guys did eventually play in the NBA, esp Sabonis, that I also wish they had some more interviews with the American dream team members talking about their Lithuanian counterparts. The only member we hear from is Chris Mullen though we get a lot of good sound bites from famed center/sports commentator Bill Walton. I would love to hear Barkley give us his two cents and David Robinson would have been very appropriate because he was on the ’88 team that lost to Russia so he could have provided some nice insight, esp with his service history.

My favorite part of the documentary was when a newly free Lithuania was trying to get there team put together for the ’92 Olympics despite the country being broke. The story of basketball fans and heroes of the oppressed, The Grateful Dead, offering to help the team find its financial footing is quite fun, esp when they send the team tie-dye shirts which the team wears during press interviews and on the final medal stand for their bronze medal. What could be a ridicule inducing moment just feels right for that team at that moment of time and is one of the most memorable moments in that Olympics.

While the documentary covers a lot of ground, it doesn’t have the same gravitas that a documentary like “Hoop Dreams” brings to the table but it does a good job bringing perspective to sports that sometimes gets lost in today’s spoiled boys network where a lot of athletes feel they have a right to play instead of playing for the enjoyment of the sport that these players bring to the table. The fact that they were also playing for their country, which some of our players don’t seem to cherish as much, only makes them stand out more in my eyes.

I have full respect of these players and what they brought to the table but I wish the documentary covered more ground. Still, it can be very enjoyable at times and finds itself with a grade of B- in my eyes. Too bad it didn’t come out closer to the Olympics which might have boosted it up more.

The movie is playing at the Main Art Theatre.

BOOK REVIEW: Willie Nelson's Roll Me Up and Smoke Me by Tom Schulte


Roll Me Up and Smoke Me When I Die: 
Musings from the Road 

by Willie Nelson

Review by Tom Schulte

Roll Me Up and Smoke Me When I Die is a road journal that has the feel of Reader’s Digest and the faint aroma of ganja. Half road diary, half autobiography, half lyrics reprints, this ManBearPig tome can be read anywhere. The jokes, thoughts (including some on Occupy Wall Street), and memories range from the wry observations (“do it wrong until it feels right”) to enlightened advice (a vaporizer is better on a singer’s lungs than smoking marijuana).

Yes, Willie beats the re-legalization and Farm Aid drums (as well he should) and also waxes wistful about a spiritualized Christianity and how things were better when he was young. But, even in this mode, Willie never sounds like an old man telling stories. However, he does repeat himself, as on poker with Ziggy Marley and Woody Harrelson in Edenic Maui.

Many of the vignettes that introduce us to Willie’s family and organization are written by others, which adds variety and often seem to shed more light on Nelson than he himself will reveal. Introduced by Texas troubadour Kinky Friedman, this small whimsical and wise review of Willie’s greatest influences (Django Reinhardt!) and journey will fit in the smallest room of your house for regular reading.

Harper Collins sent MCB a review copy of this book


FREE VINYL TEST PRESSING - UNO! (Album #1) + POSTER from GREEN DAY

Its Friday and you know how we like to give away the vinyls so here is a good one for you from one of America's biggest artists - GREEN DAY

email motorcityblog@earthlink.net for your shot to win this vinyl test pressing and poster 
The test pressing is of the first of three records being released in through 2013 

Get yours ordered now







Out of all the post-Nirvana alternative bands to break into the pop mainstream, Green Day were second only to Pearl Jam in terms of influence. At their core, Green Day were simply punk revivalists who recharged the energy of speedy, catchy three-chord punk-pop songs. Though their music wasn't particularly innovative, they brought the sound of late-'70s punk to a new, younger generation with Dookie, their 1994 major-label debut. Dookie sold over ten million copies, paving the way for a string of multi-platinum releases that opened the doors for a flood of American neo-punk, punk metal, and third wave ska revivalists. More than a decade later, as many of their former contemporaries settled into retirement, Green Day remained at the forefront of popular music with albums like the Grammy-winning American Idiot.

Green Day arose from the Northern California underground punk scene. Childhood friends Billie Joe Armstrong (guitar, vocals) and Mike Dirnt (bass; born Mike Pritchard) formed their first band, Sweet Children, in Rodeo, California when they were 14 years old. By 1989, the group had added drummer Al Sobrante and changed its name to Green Day. That same year, the band independently released its first EP, 1000 Hours, which was well-received in the California hardcore punk scene. Soon, the group had signed a contract with the local independent label Lookout. Green Day's first full album, 1,039/Smoothed Out Slappy Hour, was released later that year. Shortly after its release, the band replaced Sobrante with Tre Cool (born Frank Edwin Wright III), who became the band's permanent drummer.

Throughout the early '90s, Green Day continued to cultivate a cult following, which only gained strength with the release of their second album, 1992's Kerplunk. The underground success of Kerplunk led to a wave of interest from major record labels, and the band eventually decided to sign with Reprise. Dookie, Green Day's major-label debut, was released in the spring of 1994. Thanks to MTV support for the initial single, "Longview," Dookie became a major hit. The album continued to gain momentum throughout the summer, with the second single, "Basket Case," spending five weeks on the top of the American modern rock charts. At the end of the summer, the band stole the show at Woodstock '94, which helped the sales of Dookie increase. By the time the fourth single, "When I Come Around," began its seven-week stay at number one on the modern rock charts in early 1995, Dookie had sold over five million copies in the U.S. alone; it would eventually top ten million in America, selling over 15 million copies internationally. Dookie also won the 1994 Grammy for Best Alternative Music Performance.

Green Day quickly followed Dookie with Insomniac in the fall of 1995; during the summer, they hit number one again on the modern rock charts with "J.A.R.," their contribution to the Angus soundtrack. Insomniac performed well initially, entering the U.S. charts at number two and selling over two million copies by the spring of 1996, yet none of its singles -- including the radio favorite "Brain Stew/Jaded" -- was as popular as those from Dookie. In the spring of 1996, Green Day abruptly canceled a European tour, claiming exhaustion. Following the cancellation, the band spent the rest of the year resting and writing new material before issuing Nimrod in late 1997. Three years later, their long-awaited follow-up, a refreshingly poppy record titled Warning, was released. Another long wait preceded 2004's American Idiot, an aggressive rock opera that became a surprise success -- a chart-topper around the world, a multi-platinum Grammy winner, and easily the best reviewed album of their career. Green Day reveled in the album's success, hitting numerous award shows and performing as part of Live 8 in July 2005. That fall brought the release of Bullet in a Bible, a concert album that documented the trio's expansive Idiot live show.

With their popularity and commercial viability restored, Green Day took on several small projects before returning to the studio. They contributed a cover of John Lennon's "Working Class Hero" to the charity album Instant Karma, appeared in The Simpsons Movie, and recorded an entire album of '60s-styled rock & roll under the alias of Foxboro Hot Tubs. While presenting an award at the Grammys in early 2009, the band announced the impending release of Green Day's eighth album, 21st Century Breakdown, which had been recorded with veteran producer Butch Vig. In May of 2009, 21st Century Breakdown was released, picking up where American Idiot left off, as another ambitious punk rock opera. The album was a commercial success, selling over 215,000 copies in its first three days of sales. In 2009, American Idiot was adapted for the stage, and the following year, Green Day lent their talents to the original cast recording, combining a driving score with Broadway vocal arrangements. The band released the live Awesome as F**k in 2011.

During the summer of 2012, Green Day unveiled their ambitious plans for the fall and winter: they would release not one but three new albums. The records -- Uno!, Dos!, Tre! -- would appear in September, November, and January 2013, respectively, with each individual bandmember gracing one of the album covers on their own. The first, appropriately called Uno!, was preceded by the disco-rock single "Kill the DJ."


FREE TICKETS & CDs: Future of the Left - Magic Stick Detroit - Sunday 11/04

If you were thinking about going to the Andrew Jackson Jihad show this Sunday at Magic Stick then think again...and again about the opener Future of the Left who sent us a handful of CDs to out  - email motorcityblog@earthlink.net for CD and pair of free tickets to the show




Originally a trio comprised of two parts mclusky (Andy Falkous and Jack Egglestone) and one part Jarcrew (Kelson Mathias), Future of the Left are now a quartet with guitarist Jimmy Watkins and bassist Julia Ruzicka (ex-Million Dead).

With this sturdier unit, and two previous bursts of violent sarcasm in Curses! andTravels With Myself and Another, the band have wrestled with even more savage riffs and stabbing keyboards for The Plot Against Common Sense, their third album.

They released the EP Polymers Are Forever on Xtra Mile, their first release after being released from former label 4AD. Whether cutting you down with scarring remarks at a live show, or filling the studio with lung blood and instrument abuse, Future of the Left are vital, not to be missed or to be ignored.




The Plot Against Common Sense
 

DIRTY SHOW 14 - CALL FOR EROTIC ART


CALL FOR EROTIC ART
DETROIT • FEBRUARY 2013


NOW ACCEPTING EROTIC SUBMISSIONS IN THESE CATEGORIES:

PAINTING • ILLUSTRATION • PHOTOGRAPHY
SCULPTURE • MULTI-DIMENSIONAL ART • FILM / VIDEO
PERFORMANCE • INSTALLATIONS

SUBMISSION DEADLINE
MIDNIGHT - DECEMBER 21, 2012

GET DETAILS AT  WWW.DIRTYSHOW.ORG

THE BIRTHDAY MASSACRE @ THE PIKEROOM NOV 2

 

The Birthday Massacre Band

The Birthday Massacre is a mixture of metal meets synthrock, sifter through a Tim Burton blender with audience participation making each show unique. The Pikeroom is a setting that makes this an intimate event. Chibi says, " For me, it's not just about playing the songs, it's about interacting, connecting with the crowd, joking around. I think people pick up on the fact that we genuinely appreciate that they came. I don't care if my makeup smudges or my shoelace comes untied and I trip and look stupid. Everyone in the venue is hot and sweaty, and we're all in it together, right?"

The Birthday Massacre
Friday November 2, 2012
Doors 9:00 pm
The Pikeroom, Crofoot Complex
Pontiac, Michigan

Tickets